This is Part 4 of my Haven series leading up to the premiere of Season 5 next Thursday, September 11. In the first part, I looked at the series in general and in Parts 2 & 3 I reviewed the events of Season 1 and Season 2, respectively. After tackling Season 4 in the next post, I’ll wrap up with an overview of what we currently know about the major characters. For each season, I include a list of episodes along with a summary of the Trouble(s) featured in each episode and a list of the Stephen King references (some of them admittedly a stretch).

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Haven: Part 4

Season 3 — They don’t call them Troubles for nothing

Season 3 begins immediately following the end of the twelfth episode of Season 2. The Christmas episode was a kind of lagniappe, and isn’t in sequence with the rest of the episodes.

A lot happens in the third season: we are introduced to the Guard, the identity of the Colorado Kid is revealed, a Troubled serial killer stalks Haven, a new cop comes to town, Nathan finds a new love interest, and a timer starts to count down the amount of time Audrey has left before she is supposed to leave Haven and end the troubles. And that’s just a quick summary.

The season begins with a fight between Nathan and Duke that is reminiscent of the one that triggered Nathan’s Trouble. There is a gunshot, but no one is injured. At first, Nathan has the advantage in that he can’t feel Duke’s punches. However Duke gets an upper hand when a drop of blood triggers his supernatural powers. They are interrupted by the manifestation of another person’s Trouble. Audrey, meanwhile, is tied up in the basement of an inn, taken prisoner by the indi­­­vidual we will come to know as the Bolt Gun Killer. This individual, a shapeshifter, wants to find out what Audrey knows about the Colorado Kid. The Bolt Gun Killer is also digging around at the Haven Herald because Dave and Vince know so much about the town’s past.

Audrey’s captor claims that Lucy Ripley loved the Colorado Kid and implies that someone else did, too—a major clue to the kidnapper’s identity. It turns out to be Arla Cogan, the Colorado Kid’s wife, but we won’t learn that—or the Kid’s real name—for quite some time. We won’t find out the real reason why Lucy loved Cogan until late in the season, either: he is her son, or rather the son of Sarah Vernon and a time-traveling Nathan Wuornos, who was sent back to 1955 with Duke. Uncertain that he’ll ever get back to the present, he and Sarah have a fling in the back seat of a car on the day she arrived in Haven and later that same day Sarah kills Duke’s grandfather, Roy Crocker.

Audrey now thinks there’s a chance that the Colorado Kid is still alive, even though Dave and Vince refute that possibility. When they exhume his grave, the coffin is empty except for some bricks, and there’s a cryptic message written in Audrey’s—or, rather, Lucy’s—handwriting that says she has to find him before the hunter arrives. At first they assume that’s a reference to a person, perhaps someone hunting the Colorado Kid, but Duke figures out that it refers to a meteor storm that always occurs at the end of the Troubles.

The next storm is due in 49 days (at the beginning of the season), which sets the countdown on Audrey’s remaining time in Haven. Audrey, like her predecessors, is supposed to enter the mystical barn, which will end the Troubles for 27 years. This knowledge creates a shift in the relationship between Audrey and Nathan. Aware that she will be leaving in less than two months, she starts pushing Nathan away because she knows he’s intent of saving her. Hedonistic Duke tries to talk her into seizing the day, taking off from Haven and enjoying what time she has left, but Audrey stays on the job until the bitter end.

The Troubles, of course, continue as before. Because of their past issues with the Rev and his faction, Audrey and Nathan often work these cases alone, without the backup of the rest of the Haven Police Department. They don’t want to draw any more attention to these situations than necessary.

Nathan has the maze tattoo on his forearm. He figures that if the person who kills Duke someday has the tattoo, he wants to make sure he’s on the approved list. He doesn’t know what it represents at first, but Dwight warns him that not everyone who has the tattoo is good. Vince and Dave finally cough up some helpful information by telling Nathan and Audrey what the maze tattoo means. It is a symbol of the Guard, a group that has existed for generations. They refuse to let the Troubled be victimized and won’t hesitate to kill to protect them. Vince won’t admit for a long time that he’s the head of the Guard, though it’s clear he knows more than he’s saying. The Guard also relocates Troubled people to Haven from around the country, sometimes against their will. They know what is supposed to happen to end this round of the Troubles and they are willing to do whatever it takes to make sure Audrey keeps her rendezvous with the barn.

Several new characters rise to prominence this season. Dr. Claire Callahan, a psychiatrist who works with Troubled people (she treats many of the characters from past seasons) is assigned to counsel Audrey after her abduction. Claire insists on shadowing Audrey at work and the two eventually become close and work together on several cases. She also tries regression therapy to see if Audrey can access her past lives, which works to a point. Audrey has visions of herself as Lucy in the company of the Colorado Kid, which provides the clue she needs to find out his real identity, although these flashbacks take a physical toll on her. Ultimately, Claire is murdered and her body taken over by the skinwalker.

Dr. Lucassi, first seen as the psychiatrist affected by the music Trouble in the Season 1, becomes Haven’s medical examiner, a position he will hold until he has some sort of breakdown and vanishes from town with his neighbor’s cats.

Detective Tommy Bowen comes to Haven on the trail of the person who killed his trainee back in Boston. After the case is solved, Nathan offers him a position on the Haven Police Department, though they keep him in the dark about the Troubles for a while. His bosses back at Boston PD aren’t unhappy to see him go—he has been under Internal Affairs investigation because of a shooting incident, although the file is sealed. Nathan figures out he’s the Bolt Gun Killer after seeing his GPS history. Bowen kills Nathan (who is later resurrected by Noelle Keegan) and flees, taking Vince and Dave hostage before pretending to be killed in a boat explosion. The real Tommy Bowen was killed by the shapeshifter before Audrey and Nathan met him the first time.

Jordan McKee is the member of the Guard to whom Vince directs Nathan. She works at a bar and dresses in black, including black gloves. Her Trouble is extreme pain delivered to anyone she touches or who touches her. However, because of his Trouble, Nathan is unaffected. She is seduced by the fact that she can touch him, and they have a brief but intense relationship. Jordan doesn’t trust Nathan at first and gives him a few tests to pass before she is semi-convinced that he’s being straight with her. She gets him to transfer a prisoner who she claims is dying to a nearby facility, but it’s a setup so they can break the Troubled man loose and take him somewhere safe. She lies to Nathan on other occasions when his purposes oppose those of the Guard’s, making it plain where her allegiances lie. She is arrested after trying to take Ginger Danvers but is released in a prisoner exchange deal with the Guard. The Guard wanted the girl for her powers of persuasion, which they planned to use on Nathan to coerce Audrey if she refused to go into the barn.

After Audrey learns the Colorado Kid’s identity and sees what he looks like in a vision, she and Duke travel to Nederland, Colorado, James Cogan’s hometown. There she learns that the Cogans are part of the Guard’s underground network and operate a safe house for Troubled people in transit to Haven. They also learn that James was married to Arla, though she hasn’t been seen since he went east and there are suggestions that she killed herself. The Cogans took James in when Audrey (as Sarah) brought him to them—he was Sarah’s son, which explains why Lucy loved him. On this trip, Duke and Audrey kiss, the first time that Duke admits that he has feeling for her, too—something he will confess to Nathan at the end of the season.

Duke struggles with his curse. Nathan suspects that he is ready to use it at any time and chides him about it, but Nathan isn’t above letting someone sacrifice himself to end a dangerous trouble, which leads to some philosophical discussions about what the difference in their approaches are, if any. Audrey talks Duke into killing a dying Harry Nix, who has hundreds of offspring and his Trouble is lethal. Countless lives are at stake. Duke refuses at first, but finally gives in when he sees what the consequences of his inaction might be, but he’s furious with Audrey for putting him in that position, even though Nix would have died in a few minutes anyway. The worst thing about his curse is that giving into it feels good, like a drug. Nathan’s not happy about Audrey using Duke this way, especially without consulting him first.

The Bolt Gun Killer is murdering women. In some cases, the killer takes off the victims’ skin so that it can be worn later when it’s time to take on a different guise. In other cases, only specific body parts are removed: lips, noses, ears. The common thread in all of these murders is the way the people are killed: a bolt gun shot at the back of the skull, which leaves no exit wound and does minimal damage to the skin. Unlike the chameleon seen last season, this shapeshifter/skinwalker does not need to change bodies regularly—only when circumstances require it. The shapeshifter first appears as Rosalyn Toomey, the woman Audrey talks with through the wall while she’s tied up in the cellar. For most of the season, though, the killer is in the guise of Tommy Bowen, who was dead before he first appeared in Haven. The shapeshifter is Arla Cogan and her goal is to create a skin for herself that looks the way she did back in 1983 so that her husband, James, will be comfortable seeing her when he emerges from the barn. Audrey is able to identify her by putting together the stolen body parts in a police Identikit program.

After James was murdered (perhaps by the Guard to force Lucy into the barn), Lucy took him to the barn, believing that its restorative properties that kept her the same age would bring him back to life. Lucy was supposed to take Arla in, too, but she didn’t because Arla’s Trouble kicked in and she murdered someone to steal their skin. Now, Arla wants Audrey to show her where the barn is so she can be there when James emerges. James told her that Lucy had found a way to stop the Troubles for good. However, James leaves the barn (in the company of Agent Howard) before anyone reaches it and stumbles into town, confused over how much time has passed. He’s deathly sick—he can’t survive outside the barn. Arla has convinced James that Lucy killed him to try to end the Troubles.

The Hunter meteor storm arrives, and it’s a killer. Fireballs rain onto Haven, destroying buildings, starting fires, and killing people. The storm won’t stop until Audrey leaves, according to the Guard. It will only intensify until Haven is destroyed. Audrey meets Agent Howard in the field near the barn’s locations. He sends Arla into town to find James and tells Audrey that the barn will appear whenever she’s ready to go inside. She has to want to go inside, to leave Haven—she can’t be forced in against her will.

One of the main themes of the season is destiny. Duke struggles with what everyone else calls his family’s destiny. His purpose. He commiserates with Audrey, telling her that she shouldn’t blindly accept this fate. He chooses his own fate, he says. Nathan struggles with the notion that Audrey must go into the barn on the appointed day. He feels there must be another way to end the Troubles without losing Audrey. There is, as it turns out, but it’s not a palatable one: Audrey must kill the person she loves most, and she’s not going to do that.

In the final scenes at the barn, Duke tricks Arla into bringing James along and then holds her at gunpoint. James is very sick but manages to revive himself enough to dash inside the barn. Audrey follows, believing him to be her one chance to end the Troubles forever and stay in Haven without losing her identity. Nathan goes inside with her while Duke keeps Arla at bay. Inside, Nathan’s Trouble goes away. The barn shows them things from the past they need to know: it shows Vince and Dave’s failed attempt to blow up the barn with Sarah Vernon, and it reveals that Nathan is James’s father.

The Guard, led by Jordan, shows up to make sure that Audrey is still inside the barn when it leaves. Vince and Dave arrive on the scene separately—Vince wants Audrey to go into the barn and Dave doesn’t. Dwight sides with Dave—he wants the Troubles to end, but there must be a way to put a stop to this vicious cycle. Vince is revealed to be the leader of the Guard. He orders them to leave, but Jordan lingers.

Audrey can’t convince James that there’s something wrong with Arla, so she brings Arla inside the barn. Her Trouble ends, so the grotesque stitches in the skin she is wearing are revealed to her husband. When he finds out that she has murdered so many people, he is enraged. Arla pulls a knife, meaning to attack Audrey, but James gets in the way and is stabbed. In the ensuing struggle, Arla is stabbed, too, and dies. Nathan takes her from the barn so she won’t be revived by it. Agent Howard spirits James away somewhere so he can heal. He can never leave the barn.

Audrey doesn’t love James—she just met him—and she won’t kill the person she loves, so she makes the decision to leave. She goes outside to say her goodbyes and gives Duke a gun to prevent Nathan from stopping her. After she goes back inside, Nathan tries to open the door, but it won’t budge. In a rage, he grabs the gun and shoots Agent Howard several times. Jordan shoots at him but misses—Duke pivots Nathan around so that he can shoot Jordan before she tries again. Instead of vanishing, the barn begins to break apart. Light streams through holes that mimic Agent Howard’s wounds, and from his wounds as well. Nathan tells Duke, who admitted his love for Audrey, to go after her. Duke leaps into the barn as it collapses onto itself, screaming her name. The meteor storm is still raining fire and destruction down on Haven.

Episodes

1) 301

Trouble: Wesley Toomey, whose grandfather was abducted by aliens, thinks they are back and about to attack Haven. He brings to life several “news” items about alien incidents from the past.

King references: The Altair Bay Inn is named after Altair 4, an alien planet from The Tommyknockers. Wesley Toomey is named for Craig Toomey from “The Langoliers.”

2) Stay

Trouble: Whenever people in Tor Magnusson’s family try to slaughter animals, they become human. When he treats the animals (dogs in this case) like people, they revert.

King references: The Dixie Boy truck stop from Maximum Overdrive makes its second appearance. Dr. Claire Callahan shares a surname with the priest from ‘Salem’s Lot. Dr. Lucassi goes surfing in Ogunquit on Wednesdays—that’s where Fran Goldsmith and Harold Lauder lived in The Stand. The Tarker’s Mills Tigersharks mentioned in the Haven Herald references a town from “Cycle of the Werewolf.”

3) Farmer

Trouble: Harry Nix suffers chronic organ failure. He secretly fathered dozens or hundreds of children so he would have a source of replacement organs, which he sucks out of his victims with a tube that comes out of his mouth. If his attack fails, the victim’s trouble (which is the same as his) is triggered, so this lethal Trouble spreads.

King references: Tommy Bowen is named after Todd Bowen from “Apt Pupil.”

4) Over My Head

Trouble: When Daphne’s car goes off the highway into the water, she transmits whatever bad thing that’s happening to her at the moment to the people who she thinks might rescue her. When Jordan McKee touches anyone, she delivers an extremely painful jolt.

King references: Frank Bentley shares a surname with Wes Bentley from “Dolan’s Cadillac.” Jason Dooley shares a surname with a character from Lisey’s Story.

5) Double Jeopardy

Trouble: Lynette creates a golem out of the painting of Lady Liberty she sees every day in the courthouse. This vengeful creature exacts fitting justice on people she believes have gotten off on technicalities. Duncan Fromsley starts fires in his sleep.

King references: The hidden camera has Dandel-O’s brand, with a spider on the box, a reference to the shape-shifting creature Roland meets close to the Dark Tower. James Dooley shares a last name with Jim Dooley from Lisey’s Story. Judge Boone shares a surname with Charles Boone from “Jerusalem’s Lot.” The Dixie Boy truck stop from Maximum Overdrive is seen for the third time. A gazebo plays a pivotal role in the serial murder case in The Dead Zone. Lynette enters a painting much like Rosie McClendon does in Rose Madder. Duncan Fromsley was incarcerated at Shawshank Prison.

6) Real Estate

Trouble: Roland Holloway became so obsessed with the house he was restoring that he lost his body and became the house itself. Lucy Ripley couldn’t help him 27 years ago, so now he’s set on pitting everyone who comes to the house against each other.

King references: The Holloway House is on Marsten Road, a reference to the haunted house in ‘Salem’s Lot. Roland Holloway’s first name is a tribute to Roland Deschain, the gunslinger from the Dark Tower series. For Halloween, Dwight is dressed like the gunslinger. Tina Teagarden shares a last name with a police constable from Gerald’s Game. James Cogan is real name of the Colorado Kid in the book. Nederland, Colorado is also a setting from King’s forthcoming novel, Revival.

7 & 8) Magic Hour

Trouble: Moira and Noelle Keegan can bring people back from the dead (one per day) by absorbing their injuries. Moira uses this Trouble to extort money from people.

King references: Arla is the Colorado Kid’s wife in the book, too. Trapingus Cove is named for Trapingus County from The Green Mile. Grady Smith, one of the Bolt Gun Killer’s victims, is named after Delbert Grady from The Shining. The Kitchener Mill is a reference to the Kitchener Ironworks from It. EMT Joseph Brentner shares a surname with Ralph Brentner from The Stand.

9) Sarah

Trouble: Stuart Mosley, a war vet, sends people back and forth in time to put them out of harm’s way.

King references: Roy Crocker is named for Roy Depape from Wizard and Glass. Both men are Big Coffin Hunters. Roy’s family lives in Derry. Traveling back in time and changing the outcome of the future is the main storyline in 11/22/63.

10) Burned

Trouble: Young Ginger Danvers has the power of suggestion / command.

King references: Ginger Danvers shares a surname with Mrs. Danvers from the “Father’s Day” segment in Creepshow. Waterman Lane may be a nod to King’s favorite pen maker, the brand he used to write Dreamcatcher longhand. The warehouse where the Bolt Gun Killer kept his skins has a “King Bros.” sign on the wall.

11) Last Goodbyes

Trouble: Will Brady, who has been in a coma for two months and was being transferred home to die, sends everyone in Haven into coma so he can wake up.

King references: Will Brady shares a surname with the mother and son from Sleepwalkers. His prolonged coma is reminiscent of Johnny Smith from The Dead Zone.

12) Reunion

Trouble: Robby “Robert” Farson, who was bullied as a teenager, turns his former tormentors back into their teenaged selves. Any food former prom queen Janine touches turns into cake.

King references: Robert’s last name is Farson (according to credits), which is a tribute to John Farson, the so-called Good Man from the Dark Tower series. Also, the initials RF are common to identities adopted by villain Randall Flagg. The basement boiler that builds up explosive pressure is reminiscent of The Shining.

13) Thanks for the Memories

Trouble: Arla Cogan is a skinwalker, able to strip the skin from other people and wear it like it’s her own. The meteor storm can be thought of as Haven’s Trouble.

King references: The inside of the barn is impossibly big with many doors, like the Black House. The destructive meteor storm is reminiscent of an incident in Carrie.

This is Part 3 of my Haven series leading up to the premiere of Season 5 on September 11. In the first part, I looked at the series in general and in Part 2 I reviewed the events of the first season. After tackling Season 3 and 4 in subsequent posts, I’ll wrap up with an overview of what we know about the major characters by the end of Season 4. For each season, I’ll also include a list of episodes, along with a summary of the Trouble(s) featured in that episode and a list of the Stephen King references (some of them admittedly a stretch).

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Haven: Part 3

Season 2 — Having a Haven Moment

The second season begins immediately after the final shot of Season 1, with the arrival of a new Audrey Parker in Haven. This Parker also has a boss named Agent Howard, but he doesn’t look anything like the Howard Audrey knows and who Nathan and Duke have both met. While trying to get to the bottom of this latest mystery, Audrey locates an apartment where her Agent Howard stayed in Haven. There she finds a copy of Unstake My Heart, the book she was reading in her NY apartment when Howard sent her to Haven. This book contains a set of latitude and longitude figures, and will also figure greatly into events in the fourth season.

It’s a season of identity questions for Audrey, who must now grapple with the notion that she was a different person in the past and that all of her memories are borrowed from someone else. Though Nathan and Audrey originally think this new Parker is a Troubled person, they gradually come to accept that she is exactly who she says she is. She even helps out solving cases for a few episodes until she follows the coordinates on her own and accidentally summons the barn, which wipes her memories.

Thanks to some research by Nathan, Audrey gets the chance to meet the original Lucy Ripley, the one on whom the Haven version based her memories. The woman tells Audrey that Lucy came to visit her 27 years ago. People (including Simon Crocker) were after her and she had discovered the secret behind the origin of the Troubles and how she could end them.

We learn that the Troubles are not restricted to people. Inanimate objects such as machines can be Troubled, as can plant life. Audrey comes to realize that she is immune to the Troubles, but she can be affected by physical manifestations of a Troubled person’s actions. Again, not every incident that Haven PD investigates is the direct result of a Troubled person. Mayor Brody, for example, is murdered by his jealous wife who uses another person’s Trouble as a cover story, and Cole Glendower uses the mermen Trouble as cover to murder Leith, who was planning to blackmail his mother for information.

Audrey has a brief romance with Chris Brody, the mayor’s son, who inherits his father’s charisma curse after the mayor is murdered. He’s a marine biologist and not a terribly likable guy until his Trouble kicks in and everyone loves him. He’s intrigued by Audrey because she is not affected by his charisma. Eventually their relationship sours when it seems that Chris needs her because of her immunity instead of simply wanting her. He leaves Haven to spend the rest of the Troubles in some remote, isolated location.

Another major plotline in this season is the struggle for control over Haven. Nathan tells the town that his father was “lost at sea.” Vince and Dave encourage the town’s selectmen to appoint Nathan as the interim chief. However, Reverend Driscoll has a lot of influence with the town council and he doesn’t approve of the way Nathan and Audrey handle Troubled people. After one of the selectmen discovers Nathan’s unedited files about the Troubles, the town hires a new police chief from outside Haven for a while, but that doesn’t work out very well—for the new chief.

Driscoll attempts to gain Duke’s allegiance because he worked with Duke’s father in the past. He’s willing to use the Crocker family curse, which can bring about the end of a Trouble in a family, even though he believes most Troubled people are damned. He’s an angry man because his wife was having an affair with a Troubled person and faked her death so she could be with him.

Duke learns about the Crocker family curse when he locates a trunk containing the weapons his father used to kill Troubled people. He also discovers that Lucy Ripley killed his father—he didn’t die at sea as he always thought—and finds a message in his father’s journal telling him that he must kill “her”—meaning Audrey. The ghost of his father tells him stories of tragedies that could have been averted and lives that could have been saved if only he had killed certain Troubled people. It is Duke’s destiny, Simon Crocker says. Duke resists, but gets his first taste of what it’s like when a Troubled person kills himself with the knife Duke is holding so his Trouble won’t be passed along to his soon-to-be-born son.

Duke’s wife Evidence Ryan (Evi) comes to Haven, too. It’s been three years since they’ve seen each other. She wants to get Duke to join her in one of the cons they used to pull, but Duke doesn’t want to have anything to do with her. She becomes something of a double agent, pretending to help Duke while she’s actually supplying information to Reverend Driscoll, some of which lead to Nathan’s removal as police chief. The Rev had convinced her that getting Nathan out would be beneficial to Duke, who the Rev believed was important to their cause. She is killed by a sniper working for the Rev after she breaches a lockdown at Haven PD. For a while Duke pretends to side with the Rev to gain as much inside information as possible about the mystery tattoo and his father’s secrets. Audrey is forced to shoot and kill the Rev when he was about to kill a Troubled person, which magnifies the conflict between the factions in Haven and annoys Duke, who lost his one source of potential info.

The character of Dwight Hendrickson is introduced in Season 2. He “cleans up” after Troubled incidents, helping Vince and Dave to cover up the Troubles by hiding evidence and coming up with alternate explanations for events, which range from global warming to the always handy “gas leak” scenario. Dwight, whose Trouble is that any bullets fired in his vicinity will strike him, worked with Nathan’s father and he becomes an increasingly important player in the show.

Nathan and Audrey begin to admit their feelings for each other—they’re more than partners. However, things keep getting in the way, and the ghost of Chief Wuornos warns Nathan that the situation is too dangerous for them to be in love. If Audrey is in love with Nathan, she’s going to want to take risks for him, and she’s too important to Haven.

The season also begins a concerted social media campaign by the program. Twitter accounts for Dave and Vince are integrated (awkwardly, perhaps) into scenes and the brothers are engaged in a contest to see who can garner the most followers. Most of the main cast members were active, especially on Twitter, and social media engagements would increase each year.

The season proper ends on a cliff-hanger. Someone zaps Audrey with a Tazer in her apartment over the Grey Gull, and Nathan—who is now sporting the maze tattoo—gets into a fight with Duke aboard the Cape Rouge because he thinks Duke had something to do with Audrey’s disappearance. The camera draws back as a gunshot is heard.

The season’s thirteenth episode is an out-of-sequence Christmas episode.

Episodes

1) A Tale of Two Audreys

Trouble: Whatever T.J. Smith reads about comes to life, including the Biblical plagues.

King references: The opening scene from It featuring Georgie and his paper boat is played out. There’s also a Wickham Street in Derry. The Regulators takes place on Poplar Street. McCausland St is a reference to Ruth McCausland, who was Haven’s sheriff in The Tommyknockers.

2) Fear & Loathing

Trouble: When people look at Jackie Clark, they see whatever or whoever scares them the most. Ian Haskell can steal another person’s Trouble by touching their blood, which cures the Troubled person until Haskell takes on another Trouble. Tristram Carver’s puzzle of Haven is cursed so that whenever one of the pieces is placed on the board, the corresponding building crumbles.

King references: Pennywise the clown also appeared to people as their worst fear. Audrey Parker’s worst fear is a clown with jagged teeth. The grocery store scene is a callback to “The Mist.” Ian Haskell shares a surname with a surgeon in Chester’s Mill (Under the Dome).

3) Love Machine

Trouble: Machines become Troubled and come to life to keep the man who fixes them from leaving Haven.

King references: The concept of machines coming to life and attacking people is reminiscent of “Trucks” and the film version, Maximum Overdrive. The scene where someone reaches into an in-sink garbage disposal is reminiscent of a similar scene in Firestarter. The Zamboni crushes a woman against the boards in the hockey rink in much the same way that Christine crushed one of its victims against a wall.

4) Sparks and Recreation

Trouble: Members of the Brody family have a charisma Trouble. Everyone loves them. Nurse Lori Fulcher emits blasts of electricity when under stress.

King references: There was a story about supernatural lights appearing over a Little League baseball game in The Colorado Kid. One of the Haven baseball teams is called the Sea Dogs—a man wearing a Sea Dogs baseball cap appears in Under the Dome. Dwight Hendrickson may be named after Lance Hendrickson, the actor who played Larry Underwood in The Stand.

5) Roots

Trouble: A Troubled tree where a long-ago act of violence took place sends out roots that feed off the anger generated by a family feud.

King references: Weeds overtook Jordy Verrill in the short story “Weeds,” and a plant with a taste for human blood was featured in The Plant. Scenes where the roots attempt to break into a building are reminiscent of the tentacle scenes from The Mist. Beverly Keegan shares a surname with a character from Joyland.

6) Audrey Parker’s Day Off

Trouble: After Anson Shumway’s daughter is struck by a car due to his OCD issues, his Trouble causes him to repeat the day over and over again.

King references: The name Anson Shumway is inspired by Julia Shumway from Under the Dome. The Boston Red Sox are King’s favorite team and the topic of his book Faithful, co-authored with Stewart O’Nan.

7) The Tides that Bind

Trouble: During the Troubles, the men in the Glendower family can only breathe air for short periods of time. They must breathe water instead, effectively turning into mermen.

King references: They weren’t exactly mermen, but human-like creatures emerged from the water to attack a man in “Something to Tide You Over” from Creepshow.

8) Friend or Faux

Trouble: Cornell Stamoran, an embezzler and a murderer, spins off clones of himself that contain his worst aspects. Each time a clone is killed, another appears.

King references: The notion that the worst parts of a person could turn into their doppleganger is also used in The Dark Half.

9) Lockdown

Trouble: Nicky Coleman has been bottling up years of abuse until it becomes a poison that spreads to other people. Dwight Hendrickson is a bullet magnet—any bullets fired near him will target him.

King references: Chief Merrill shares a surname with Ace (“The Body”) and Pops (“The Sun Dog”). Officer Stark is named for George Stark (The Dark Half) and Dr. Underwood for Larry Underwood (The Stand).

10) Who, What, Where, Wendigo

Trouble: Sisters Amelia, Frankie and Sophie Benton become Wendigos, strong and fast creatures that need blood to survive.

King references: Creatures like lobstrocities (The Drawing of the Three) are mentioned on the radio news. A truck stop named the Dixie Boy also appears in Maximum Overdrive. The transport is carrying pesticide-free corn from Gatlin, Nebraska, the setting for Children of the Corn. A Wendigo also appears in Pet Sematary.

11) Business as Usual

Trouble: Stu Pierce’s sweat becomes toxic to anyone who comes into contact with it. Duke Crocker gains superhuman strength when he comes into contact with the blood of a Troubled person.

King references: Dwight uses a coroner from Cleaves Mills, a town from The Dead Zone. Duke won his boat in a poker game with Ray Fiegler, which is an alias used by Randall Flagg in Hearts in Atlantis. Fiegler was from Castle Rock, a town featured in many King stories and novels.

12) Sins of the Father

Trouble: The ghosts of people Kyle Hopkins buried in the Eastside Cemetery come back and entice the living to settle old scores on their behalf. Duke learns that if he kills a Troubled person, he eliminates the Trouble from the family.

King references: The story of the poisonings at the church camp is reminiscent of the Tashmore church poisonings, as told in The Colorado Kid.

13) Silent Night

Trouble:  Young Hadley Chambers creates Christmas in July by entrapping Haven inside her favorite snow globe. She makes everyone in town vanish because people are always leaving her—her father had just moved out of the family home.

King references: When the snow globe forms, it cuts a person in half, reminiscent of what happens at the beginning of Under the Dome. A truck accident occurs at the Mohaine Bridge, a reference to the Mohaine Desert from the Dark Tower series. Gordon Chambers supposedly moved to Derry, the setting for It and other King novels. His last name is shared by Jake from the Dark Tower series and Chris from “The Body.”

This is Part 2 of my Haven series leading up to the premiere of Season 5 on September 11. In the first part, I looked at the series in general. For the next four installments, I’ll review each season as a refresher, and I’ll wrap up with an overview of what we know about the major characters by the end of Season 4. For each season, I’ll also include a list of episodes, along with a summary of the Trouble(s) featured in that episode and a list of the Stephen King references (some of them admittedly a stretch).

Without further ado:

Haven: Part 2

Season 1 — It’s a Haven Thing

The first season begins with the arrival of FBI Special Agent Audrey Parker in Haven, Maine, where she has been dispatched by her boss, Agent Byron Howard, to bring back Jonas Lester, an escaped federal prisoner who killed a guard. Upon her arrival, she is greeted by the sudden appearance of a sinkhole on the road that sends her car dangling off the edge of a cliff. She is rescued by Nathan Wuornos, an encounter that winds up in a standoff when they both realize the other is armed but neither is sure why. Shortly after they meet, Audrey discovers that Nathan is incapable of feeling pain, which he attributes to a medical condition.

In town, people start to comment on the fact that Audrey looks familiar. She is shown a photograph from a 1983 copy of the Haven Herald about an unsolved murder where the unidentified victim was referred to as the Colorado Kid. A woman (also unidentified) in the picture looks exactly like Audrey except for some cosmetic differences. Nathan knows the story because his father (currently Chief of the Haven Police Department) was a beat cop at the time.

Audrey, an orphan, wonders if this might be her mother. She asks Agent Howard for vacation time to attempt to identify this mystery woman. It turns out that sending Audrey to Haven was part of a secret plan between Agent Howard and an at-first-unidentified person who is later revealed to be Haven Police Chief Garland Wuornos, who has been attempting to hold the town together under the latest onslaught of the Troubles, supernatural afflictions that plague many of the town’s inhabitants. Chief Wuornos tells Audrey about the Troubles and says she should stay in Haven and work for him because she has a special talent: she can see things the way they really are. He hopes some of that will rub off on his son. Few people will talk to her, though, because she isn’t a local. Ultimately she comes to realize that Lucy Ripley, the woman in the photograph, wasn’t her mother—it was her, somehow.

Audrey, who was seen reading a vampire novel in her apartment, is open to all possibilities when investigating cases, which makes her a perfect person to try to figure out what’s going on when a Troubled person’s affliction manifests and to talk the person down when possible. Nathan, though he was born and raised in Haven and is Troubled himself, tends to remain skeptical at first, perhaps as a reaction to his father’s willingness to attribute most problems to the Troubles. The Chief and his son have a rocky relationship.

Lines within the town are drawn. On one side is Reverend Driscoll, who regards the Troubled as unnatural, a blight to be cast out, saved or destroyed. On the other is the faction consisting primarily of Audrey and Nathan who attempt to alleviate the Troubled person’s affliction.  Not all of the crimes they investigate are caused by Troubled people, though. In one case, a woman poisoned her boss and, in another, Audrey and Nathan discover that a boat wreck was caused by the sale of shoddy and defective parts.

After several weeks of handling Troubled people, Audrey receives a visit from Agent Howard, who threatens to bring her back to NY. He demands a true accounting of the cases—not the whitewashed versions she’s been turning in. Ultimately she quits the FBI and joins the Haven Police Department as Nathan’s partner—which was Howard’s plan all along. She just needed a push from him.

During the course of one investigation, Audrey and Nathan see an interesting tattoo that consists of a maze with figures standing at each of the four compass points. (This same sigul can be seen in the show’s opening credits.) Duke Crocker, the local rogue and an old nemesis of Nathan’s, learns from his former babysitter that he will die at the hands of a man with this tattoo on his arm, but ultimately it is revealed that many people have this tattoo. Audrey recommends he look into the meaning of the tattoo rather than be concerned about any one person bearing it. It appears on the headstones of many people in the Haven Cemetery, for example.

Nathan forms a romantic relationship with Jess Minion, a Quebecois who the locals believe is a witch. He is tentative because he’s afraid his lack of sensation will make him unable to be physical with her. Jess ultimately leaves town because she’s afraid of the Troubles, which seem to be attracted to Nathan.

Another ongoing thread is the appearance of cracks. They’re seen on the road leading into Haven in the first episode and later at Carpenter’s Knot Island and on Duke’s boat. A lighthouse crumbles because of another crack. In the finale these are revealed to be caused by Chief Wuornos’s trouble, a manifestation of his attempts to hold Haven together.

Everything comes to a head with the arrival of two people to Haven. The first is Max Hansen, fresh out of Shawshank Prison , where he’s been incarcerated since 1985. He has a maze tattoo and the same Trouble as Nathan, and he has some ancient scores to settle—in particular, he wants to see Chief Wuornos die for stealing his family from him. Nathan discovers that Chief Wuornos isn’t his real father, which causes a further rift between them. Another sort of rift—the kind Wuornos generates—opens up in front of Hansen, who falls to his death. There is speculation that Hansen killed the Colorado Kid, though that was never proved.

Chief Wuornos is at the end of his tether. He’s tried everything to keep his affliction at bay: drinking, smoking, going to church, but it’s time for him to die. Now that Audrey is back, he can let go. A series of cracks emanates from him. He pulls them into himself and explodes into a million pieces. Vince and Dave Teagues from the Haven Herald gather the parts into an ice chest and bury him in a remote location. They know a lot more than they’re telling about Audrey and her purpose in Haven, but they’ve decided (sort of) to keep out of it and let her discover things on her own.

Though Audrey and Nathan keep the chief’s death a secret, Rev. Driscoll knows and makes a power play to control his replacement. He tells Nathan to leave Haven or suffer like the rest of “his kind”—the damned.

The second arrival is an FBI agent named Audrey Parker. There’s a near-exact repeat of the showdown that occurred in the first episode. Once again Audrey’s identity is called into question, as the new FBI agent asks, “Who the hell are you?”

Episodes

1) Welcome to Haven

Trouble: Marian Caldwell causes catastrophic weather events when pressured or threatened.

King references: Audrey’s radio is set to 103.1, which is WZLO, a station owned by King. The Haven Herald is located at 217 King Street. Room 217 was the haunted room in the Overlook hotel in The Shining. Marion Caldwell share’s a surname with Rebecca Caldwell from The Dead Zone television series on which Nicole De Boer appeared.

2) Butterfly

Trouble: Bobby Mueller brings to life in his dreams the things he sees before he goes to sleep.

King references:Hannah Driscoll’s secret bank account is in Bangor, King’s home town.

3)  Harmony

Trouble: Ray McBreen causes people around him to go berserk when he plays music—but his Trouble has a beneficial effect on catatonic patients.

King references: A scene features a folded paper boat like the one Georgie plays with in It.

4) Consumed

Trouble: When Bill McShaw gets upset, the ingredients of any food he eats (all the way back to the original source) go bad.

King references: The Grey Gull is the name of a restaurant in The Colorado Kid. Marnie Snell shares a surname with Sue Snell from Carrie.

5) Ball and Chain

Trouble: When Beatrice Mitchell turns into an alter ego named Helena and has sex with a man, she gets pregnant and gives birth in a few days. The father ages rapidly and dies when she holds the baby for the first time.

King references:King’s signature can be seen on the Harbor Master’s certificate. Beatrice’s nanny is an older black woman named Abigail who hails from Nebraska (The Stand). Deaths like the ones that occurred in this episode are mentioned in 1954 records from Derry (It).

6) Fur

Trouble: Piper Taylor and her son Landon cause stuffed animals to come to life and go after the people who killed them. Piper had been brought back to life by her father during earlier Troubles and she resurrected Landon after a fire.

King references: Jess Minnion had her car towed in Derry. Derry Road is also mentioned in “Mrs. Todd’s Shortcut.” The resurrection plot—especially the strong temptation to bring a loved one back to life—is reminiscent of Pet Sematary. The hunt for the killer wolf is reminiscent of a scene from Silver Bullet. Tobias Gillespie’s name is inspired by Constable Parkins Gillespie from ‘Salem’s Lot.

7) Sketchy

Trouble: Victoria Dutton’s drawings come to life. Anything done to them is also inflicted on the subject—people or objects.

King references: The concept of artwork coming to life is common in King’s work. Patrick Danville has this ability in The Dark Tower, as does Edgar Freemantle in Duma Key and Richard Sifkitz in “Stationary Bike.” Vicky’s sketch of Haven was done from the perspective of King’s Point.

8) Ain’t No Sunshine

Trouble: Thornton Aaron’s anger at his wife’s death from cancer detaches from him as a shadow that kills others.

King references: Members of a support group believe a “Dark Man” is responsible for the premature deaths of their family members. King wrote a poem called “The Dark Man” that is the genesis of his character Randall Flagg, a name that is mentioned in the opening credits. Two cops are named Stan and Beverly after characters from It.

9) As You Were

Trouble: Vaughn Carpenter is a chameleon. When his trouble is reactivated, his ability to exist in any one body for any length of time is limited, so he has to kill people to take them over.

King references:  The hotel on Carpenter’s Knot Island is reminiscent of the Overlook. One of Audrey’s birthday gifts is a first edition of Misery Unchained signed by the author before that lady chopped off his foot (Misery). Nathan’s middle name calls to mind Thad Beaumont (The Dark Half). The shapeshifter in this episode is reminiscent of the Skin-Man from The Wind Through the Keyhole.

10) The Hand You’re Dealt

Trouble: Matt West has pyrokinesis, which he uses to pay back his tormentors and wreak general havoc in Haven. Vanessa Stanley sees the last thing other people see before they die.

King references: Charlie McGee from Firestarter was also pyrokinetic. Photographer Morris Cross mentions lobster-like creatures that chattered back and forth at each other, i.e. lobstrosities from The Drawing of the Three.

11) The Trial of Audrey Parker

Trouble: Ezra Colbert has bouts of acuity and prescience—the ability to predict what a person is about to do or say.

King references: A copy of Tommyknockers can be seen among the books Audrey moves in the stateroom of Duke’s boat. Agent Howard refers to the people Audrey has been investigating as the “Children of the Corn.” Duke’s boat’s position is given relative to Little Tall Island, the setting for several King stories, including Dolores Claiborne and Storm of the Century. Tobias Blaine may be named for Blane the Mono from the Dark Tower series.

12) Resurfacing

Trouble: James Garrick vibrates to the point where he can longer be seen or heard.

King references: The boat that washes ashore with one body on board and several men missing is similar to the unsolved mystery of the Pretty Lisa Cabot from The Colorado Kid. A model of a car exactly like Christine moves across a desk. James Garrick’s interactions with reality are reminiscent of a poltergeist and, for a while, his kids are suspected of possessing telekinesis like Carrie. In a sense, he’s like Jo Noonan’s ghost in Bag of Bones, moving things around to interact with “the living.” In The Tommyknockers, Bobbi Anderson’s farm was formerly known as the Garrick farm.

13) Spiral

Trouble: Garland Wuornos causes cracks all around Haven. Max Hansen can’t feel pain.

King references: Max Hansen has just finished his sentence at Shawshank Prison. Max’s all-denim apparel is meant to call to mind Randall Flagg from The Stand.

Haven: Part 1 — What the hell kind of town is this?

Season 5 of the Syfy series Haven begins on Thursday, September 11, so I thought I would review the series to date in the weeks leading up to the premiere. The show’s move to Thursday nights seems to be a vote of confidence, along with its 26-episode renewal after a successful fourth season. The first 13 episodes will air this fall and the second batch in 2015.

Haven, as you probably know, is based (loosely) on Stephen King’s short novel The Colorado Kid, published by Hard Case Crime in 2005. That book involved two old-timers named Vince Teague and Dave Bowie, editors of the Weekly Islander, and their young intern, Stephanie McCann. A reporter from the Boston Globe has just treated them to lunch while attempting to extract from them local unsolved mysteries for an article in his paper. After he leaves, the men tell Stephanie about a real unsolved mystery, that of the Colorado Kid. His body was found on the beach without any identification. His pocket contents were uninformative and mysterious. Eventually he was identified, but no one knows why he came to the coastal Maine island and how he made a seemingly possible trip there from Colorado.

Very little survives in the series from the novel. The story of The Colorado Kid is there, and his real identity (and that of his wife) is the same as in King’s novel, although the series expands upon this greatly. Some of the other unsolved mysteries Vince and Dave tell Stephanie show up as parts of plots (the story of the boat that washed ashore, for example, or the Tashmore church poisonings), but that’s about it. The setting is changed from Moose-Look Island to the coastal community of Haven, Maine. Vince and Dave are now the Teagues brothers, who run the Haven Herald.

And yet, the concept behind The Colorado Kid is still there: the notion that our world is a place filled with unsolved mysteries. Each week, the main characters confront such a mystery. In a sense, the show is a cop drama or a whodunit, because the identity of the person behind the strange incidents is a mystery and the writers do an excellent job of creating red herrings to misdirect the audience into suspecting different characters.

“Haven?” I hear you asking. Isn’t that the place where The Tommyknockers is set? Well, yes and no. The towns share a name, but they aren’t the same place. In particular, the Haven in The Tommyknockers is not on the coast. Quoting the novel, “Haven was not on either of Maine’s two major tourist tracks, one of which runs through the lake and mountain region to the extreme west of the state and the other of which runs up the coast to the extreme east.” And yet, the TV Haven is in the Stephen King universe, not far from Castle Rock, Derry, Bangor, Little Tall Island and Cleaves Mills.

In fact, the writers of this series are very conversant with the Stephen King universe. Every episode contains at least one subtle or overt reference to a King book or story. Often these come in the form of names that are drawn from characters in similar situations in other works, but in one memorable instance, the opening scene from It, in which a little boy in a yellow rain slicker plays with a paper boat that goes down the drain, is recreated in loving detail. The writers are strongly influenced by It and the concept of something evil that recurs on a regular basis. In later seasons, Dark Tower concepts such as doorways to other worlds and thin spots between universes also enter the story. Ideas from King stories creep in (in one case, machinery comes to life and attacks people, much as in “Trucks”). There are also a lot of businesses around Haven with the word King in their name, and physical copies of King novels (and a Misery novel by an unnamed Paul Sheldon) appear on screen.

Haven (sometimes known as Hayven) is an old community, with a current population of about 25,000 (according to the Season 2 Christmas episode).  There was a strong Mi’kmaw presence in the area when it was established in the late 15^th century (its original name, Tuwiuwok, is a Mi’kmaw word that means Haven for God’s Orphans) and the aboriginal lore pervades its history: legends of Wendigo and shapeshifters, for instance (both also used by King in other works).

The town’s main claim to infamy is the so-called Troubles, afflictions that have plagued its residents throughout its history. Every 27 years (a timespan that will be familiar to people who’ve read It), the Troubles return. They run in families and often bear a relationship to something about the afflicted individuals. A stressful incident triggers a person’s Trouble during the period when they are active, giving him or her a supernatural ability that generally has terrible consequences for the person and for those around him or her.

On the same repeat cycle, a mysterious young woman comes to Haven. She is a kind of “Troubles whisperer.” She has the ability to help the Troubled, usually by making them aware that they are the cause of whatever strange events have been taking place of late and by talking them out of the strong emotions that unleashed their supernatural power.

Most Troubled people can be taught to manage their Troubles—though not all. Many of them cannot remain in society for the duration of the Troubles and must be sequestered in one way or another. For others, more drastic measures are sometimes called for. The writers seem to have a bottomless supply of interesting and innovative Troubles to inflict upon their characters, and one of the show’s intriguing aspects is the various ways some people take advantage of their afflictions. One character, for example, uses her power to blackmail people. Another uses it to gain revenge on enemies and yet another thinks that his ability to create conflagrations is super-cool, so he wreaks mayhem on Haven. Most people, though, are ashamed by their Troubles and few talk openly about their individual afflictions.

One of the things that appeals to me about the series is its essential Canadian flavor. Though it is set in Maine, filming takes place in a number of communities on the south shore of Nova Scotia, not far from where I lived during the 1980s. The symbolic lighthouse often seen (and occasionally destroyed) is the one at Peggy’s Cove, a popular tourist destination. I had the chance to visit the set in late June—you can read more about that on my blog.

With the exception of Emily Rose (Audrey Parker) and Eric Balfour (Duke Crocker), most of the cast is Canadian. Familiar faces, from the actor who plays Chief Garland Wuornos to the most recent medical examiner, played by Jayne Eastwood, pop up from time to time. Lucas Bryant, who plays Nathan, and Adam Copeland (aka WWE’s Edge), who plays Dwight, are both Canadian, as are John Dunsworth (Dave Teagues) and Richard Donat (Vince Teagues). Colin Ferguson, who came into the series as the mysterious William in its fourth season, is from Canada, as is Jason Priestley, who appeared in a four-episode arc and has directed episodes as well. People familiar with the region will see all manner of recognizable sites, including the Maritime Museum of the Atlantic and Lunenburg’s Town Hall, which doubles as Haven’s police headquarters. Fans travel to Nova Scotia from all around the world to see the beautiful scenery depicted in the show, and while there isn’t a Haven Tour of the South Shore yet, there should be some day.

Though the show’s mythology started out slowly, giving viewers time to become familiar with the characters and the overall scenario, Haven has developed a complex mythos that asks questions and occasionally answers them.  I recently watched the four seasons over the course of a few weeks and I was amazed and gratified by how well it all holds together. There is clever writing, with callbacks to incidents from early episodes that pull everything together, and good chemistry among the main characters. Although no one will likely mention it in the same breath as The Wire or Breaking Bad, I think this is a vastly underappreciated series, even though it appears to have a substantial following, both in the US and internationally.

One place where this show succeeds where Under the Dome, perhaps, does not is in its sense of humor. It isn’t unreasonable to compare the two series, which are both “inspired” by King novels and strike out into uncharted territory very early in their runs and never look back. Under the Dome has little or no sense of humor, whereas Haven is rife with humorous dialog and asides, mostly from Duke and Dwight. There is playful banter and some black humor that will make you jump and then laugh.

Next time, I’ll look at the course of events that shape the show’s first season, and will follow up with each of the subsequent seasons, culminating with a look at what we know about the main characters and where things might go in Season 5.