Daphne Byrne by Laura Marks, Kelley Jones and Michelle Madsen
DC Comics (November 2020)
160 pages; $24.99 hardcover
Reviewed by Danica Davidson
14-year-old Daphne Byrne lives in a world where she doesn’t belong. Her father was the only person who understood her, but he died in a disgraceful way, a way that gives gossips plenty to talk about. This is 1886 in New York, and Daphne’s morbid, literate, precocious personality doesn’t fit well in a time and place where women are expected to be docile and obedient. The other girls at school all make fun of her, so she doesn’t fit in anywhere.Continue Reading
After a couple of false starts, The Comic Vault returns to Cemetery Dance just in time to celebrate a milestone anniversary of one of the greatest horror comic characters of all time: Mike Mignola’s blue collar demon, Hellboy.
Obviously, there’s no name more synonymous with the character of Hellboy than that of creator Mike Mignola. However, Christopher Golden runs a close second. Golden, a prolific best-selling author of original novels, media tie-in books and countless short stories, helped pioneer the line of Hellboy prose novels and anthologies, beginning with 1997’s The Lost Army and continuing this month with Hellboy: An Assortment of Horrors. He’s also a screenwriter (along with Mignola and Andrew Cosby) of the upcoming Hellboy: Rise of the Blood Queen, the Neil Marshall-directed reboot of the Hellboy film franchise. Golden was kind enough to take time out of his busy schedule to talk with Cemetery Dance Online about his long history in the world of Hellboy.
It’s unusual for a Stephen King book to be out of print, but that’s been the case with Creepshow, the 1982 adaptation of the George Romero-directed, King-scripted move of the same name. The original edition published by Plume has only been available on the collector’s market—usually at a cost well above its original $6.95 price tag.
Velvet by Ed Brubaker and Steve Epting
With the Killing Joke movie selling like proverbial hot cakes, DC has managed to prove that what might be too risky for big screen adaption is a welcome addition to adult animation. Almost 28 years after the initial release of the graphic novel, the storyline is still considered one of the most pivotal stories in Batman history and has not only redefined the Caped Crusader but launched (with other notable works) the career of Alan Moore. But who is Alan Moore? What motivates the author to get up in the morning and what secrets does his beard keep? While we probably won’t know the answer to a lot of questions thanks in part to his propensity for being mysterious, we can at least look back at his history and make some educated guesses. 
An interview with Stephen King is always a must read, an interview with George A. Romero can be a ton of fun, an Ira Levin interview is always interesting, and a Peter Straub interview is always eye-opening. Now, an interview with ALL FOUR at the same time… scratch that… a full-on hour-long discussion between the four of them, WOW. Mind-blowing. As soon as I heard that 
Blood Feud #1 by Cullen Bunn (W), Drew Moss (A), and Nick Filardi (C)