Becky Spratford is an informed and passionate advocate of fiction (particularly horror fiction). She trains librarians to match readers with books they’ll enjoy — an amazingly important job, if you ask us! Becky maintains a magical presence on Twitter and a blog that gives great insight into the importance of the work she does.
February is Women in Horror Month and I wanted to check in with some of my favorite writers of horror fiction. Ania Ahlborn is the author of several creepy books of which I would recommend, starting with Brother, and then working through her extensive back catalog. Her most recent release, If You See Her, is about buried mysteries, haunted houses, and the ghosts of past sins coming back to haunt you.
Ania and her husband, Will, have a toddler we will refer to as “R” in this interview. I wanted to find out how Ania has been balancing her writing career and motherhood. Continue Reading
Nicholas Day is a science fiction, horror, and crime fiction writer, and is the co-owner (with fellow writer Don Noble) of Rooster Republic Press. His first novel, Grind Your Bones to Dust, will be released on October 10. Recently, Day sat down with Cemetery Dance’s own “Mother Horror” for a chat about creativity, wild donkeys, and a whole lot more. Continue Reading
I can think of several reasons to use more than one name, and most of them involve getting away with some criminal activity. But if you are Michael Marshall Smith, each name represents a category of sorts for bringing stories, novels, and screenplays into the world.
The first time I saw The Anomaly at Powells Books in Portland, Oregon, I didn’t know who the author, Michael Rutger, was. But the description of “Indiana Jones meets X-Files” was right up my alley, so I bought the book, loved it, and it wasn’t until after I finished reading that I searched online and found Mr. Rutger had already written several books I enjoyed, including the influential (and Stephen King praised) novel The Straw Men, under a different name. The Straw Men, by Michael Marshall was later re-released by Cemetery Dance in a special edition that included pages of Smith’s handwritten notes for keeping tracking of all the twists and turns.
Although born in England, Smith spent much of his early childhood growing up elsewhere; America, South Africa, and Australia. His early work, written as Michael Marshall Smith, was mostly horror and science fiction. But when Smith wrote The Straw Men, a novel about serial killers, it was so different from his other novels that he and his publishers decided a name change was in order to market the new work.
That book became part of what was eventually a trilogy that includes The Upright Man and Blood of Angels. Smith continued to write under the Marshall name for his next four supernatural/suspense/thriller novels before returning to Smith for his 2017 novel Hannah Green and her Unfeasibly Mundane Existence.
With The Anomaly, Smith once again took on a new name for what is turning into a wonderful series that follow Nolan Moore, a YouTube documentarian who investigates paranormal phenomena. Part mystery, part thriller, and all adventrure, the new Rutger novel, The Possessionveers straight into horror when Moore and his team look into a what may be a case of witchcraft in a remote American village.
Whatever name he goes by, Michael Marshall Smith has an uncanny ability to write intense and exciting books. He was kind enough to answer some questions via email. Continue Reading
If you’ve bought a limited edition book from Cemetery Dance in the last decade or so, chances are extremely high that Brian James Freeman and Kate Freeman had a hand in making that book a reality. Recently, Brian announced the formation of a new small press, LetterPress Publications, which he and Kate will use to continue pursuing and creating their own publishing passion projects. (Fear not, Brian remains an integral part of the Cemetery Dance family!) They’re off to a great start with their debut* project, a special limited edition of Stephen King’s 2014 novel Revival.Continue Reading
When Joe Lansdale speaks, you listen. A fearless writer and natural storyteller who moves effortlessly between genres, Lansdale has made a career out of doing what he wants. He counts Stephen King, Joe Hill, and Dean Koontz among some of his most vocal fans, and has been steadily earning a large and devoted following since his first novel, Act of Love, was published in 1981. Since then, hardly a year has gone by without a new Lansdale book on the market, sometimes more than one. He has now written nearly 50 novels, dozens of novellas, and hundreds of short stories.Continue Reading
Paul Tremblay’s path to becoming the bestselling author he is today was quite different from that traveled by most other writers. “I would say it was atypical,” he observes. While Tremblay remembers Edgar Allan Poe’s “The Tell-Tale Heart” as being something that resonated with him in elementary school, he didn’t find much enjoyment in reading as a child. He certainly had no aspirations of becoming a writer. What he really wanted was to be a professional basketball player.Continue Reading
If you’ve read an anthology of horror, science fiction or fantasy stories in the last couple of decades, chances are good it was edited by Ellen Datlow. In addition to editing more than 100 anthologies over the course of her 35 year career, Datlow has served as the editor magazines such as OMNI and Event Horizon, and currently acquires fiction for Tor.com.
Datlow’s impeccably keen eye for talent has made her one of the most important figures working in modern horror fiction. We at Cemetery Dance are honored that she took time out of her busy schedule to answer some questions for us.
By now you’ve likely heard of Stephen King’s “Dollar Baby” program, in which he grants the rights to adapt one of his short stories to fledgling filmmakers for a buck. Frank Darabont is perhaps the best-known graduate of the “Dollar Baby” program, having adapted King’s short story “The Woman in the Room” before going on to helm one of the most acclaimed King adaptations of all time, The Shawshank Redemption (not to mention the undervalued, in my eyes, adaptation of King’s The Green Mile).
In 2018 Alma Katsu took the world of horror fiction by storm with The Hunger, her re-imagining of the tragic story of the Donner Party. The Hunger was named to NPR’s list of 100 Best Horror Stories, and made the “Most Anticipated” lists of a number of media outlets, including The Guardian and io9.
Katsu is currently working on a new novel centered around another historic tragedy—the Titanic—as well as a spy novel and other projects. She was kind enough to take time out of her schedule to chat with Cemetery Dance. Continue Reading
To celebrate the publication of seven eBooks by Maynard Sims (pen name of the writing team Len Maynard and Mick Sims), and the serialization of their new novelette “Malignant Ghosts” (free to read here at Cemetery Dance Online), we asked the authors a few questions about their books.Continue Reading
Silverwood: The Door is the follow-up to Silverwood, an original video series from Tony Valenzuela’s Black Box TV (episodes are available on YouTube). Brian Keene acts as showrunner for a writers room featuring Richard Chizmar, Stephen Kozeniewski, and the Sisters of Slaughter – Michelle Garza and Melissa Lason. The result is a 10-episode series, released in weekly installments in both prose and audiobook formats beginning in October. The team promises a mix of horror styles encompassing slashers, splatterpunk, psychological, Lovecraftian, and more.
Brian Keene writes novels, comic books, short fiction, and occasional journalism for money. He is the author of over forty books, mostly in the horror, crime, and dark fantasy genres. Keene also hosts the popular podcast The Horror Show with Brian Keene, which airs weekly on iTunes, Spotify, iHeartRadio, Stitcher, and elsewhere via the Project Entertainment Network. His Cemetery Dance column “Brian Keene’s History of Horror Fiction,” in which he follows the art form of telling spooky stories from its cave-bound roots up through the present day, will be returning from hiatus soon. In the meantime, Keene took the time to answer a few questions about his work on Silverwood: The Door.Continue Reading
Silverwood: The Door is the follow-up to Silverwood, an original video series from Tony Valenzuela’s Black Box TV (episodes are available on YouTube). Brian Keene acts as showrunner for a writers room featuring Richard Chizmar, Stephen Kozeniewski, and the Sisters of Slaughter – Michelle Garza and Melissa Lason. The result is a 10-episode series, released in weekly installments in both prose and audiobook formats beginning in October. The team promises a mix of horror styles encompassing slashers, splatterpunk, psychological, Lovecraftian, and more.
Richard Chizmar is a New York Times, USA Today, Wall Street Journal, Washington Post, Amazon, and Publishers Weekly bestselling author. He is the co-author (with Stephen King) of the bestselling novella, Gwendy’s Button Box. He has edited more than 35 anthologies and his fiction has appeared in dozens of publications, including multiple editions of Ellery Queen’s Mystery Magazine and The Year’s 25 Finest Crime and Mystery Stories. He’s also an accomplished screenwriter and the founder/guiding force behind Cemetery Dance. Recently, he took on another project: answering these questions about his work on Silverwood: The Door.
Silverwood: The Door is the follow-up to Silverwood, an original video series from Tony Valenzuela’s Black Box TV (episodes are available on YouTube). Brian Keene acts as showrunner for a writers room featuring Cemetery Dance founder and publisher Richard Chizmar, Stephen Kozeniewski, and the Sisters of Slaughter – Michelle Garza and Melissa Lason. The result is a 10-episode series, released in weekly installments in both prose and audiobook formats beginning in October. The team promises a mix of horror styles encompassing slashers, splatterpunk, psychological, Lovecraftian, and more.Continue Reading
Silverwood: The Door is the follow-up to Silverwood, an original video series from Tony Valenzuela’s Black Box TV (episodes are available on YouTube). Brian Keene acts as showrunner for a writers room featuring Cemetery Dance founder and publisher Richard Chizmar, Stephen Kozeniewski, and the Sisters of Slaughter – Michelle Garza and Melissa Lason. The result is a 10-episode series, released in weekly installments in both prose and audiobook formats beginning in October. The team promises a mix of horror styles encompassing slashers, splatterpunk, psychological, Lovecraftian, and more.Continue Reading