
One Of The Dead by Richard Farren Barber
Crystal Lake Entertainment (March 18th, 2024)
The Synopsis
Terror doesn’t stumble and moan—it walks silently among us, cloaked in the guise of the overlooked.
Nick, burdened with the rare ability to see these dead predators for what they truly are, faces a nightmare when his girlfriend, Abby, becomes ensnared by their sinister intent.
These are not your typical undead. They blend in, their appearances mirroring the forgotten faces of society, making their predatory nature all the more chilling. A touch is all it takes for them to latch onto their prey, draining life in a way that leaves the body walking but the spirit doomed.
As Abby becomes the focus of such a being’s obsession, Nick is drawn into a desperate struggle not just for her life, but for her very soul. Their fight for survival takes them from the deceptive safety of city streets to the foreboding quiet of a cemetery, where the boundary between the living and those claimed by the shadowy grasp of the dead becomes perilously thin.
One of The Dead weaves a tale not of a zombie apocalypse, but of a quiet invasion, a creeping horror that targets the heart. It’s a story of love tested by unfathomable forces, of a battle against an enemy that never rests, never forgives, and never ceases its pursuit until you become one of its own.Continue Reading




It begins in an unnamed city nicknamed “the Fairest,” distinguished by many things from the river fair to the mountains that split the municipality in half; its theaters and many museums; the Morgue Ship; and, like all cities, but maybe especially so, by its essential unmappability.
Jill Girardi is no stranger to horror. She runs the independent publisher
In a secluded mansion hidden away from the outside world, young Kosa lives under the strict and overpowering rule of her enigmatic mother. For Kosa, the rules set by Mother are the guiding principles of her life, shaping her beliefs and actions. She has been sheltered from the truth about the world beyond the confines of their home, conditioned to fear the darkness and malevolence that supposedly lurks outside.
I just finished John Hornor Jacobs’ 


“She glanced over her shoulder. Had the scarecrow moved? It stood there, smile stitched on its face, but now it felt like a smirk.”
The Synopsis: