BIG NEWS today for fans of serial fiction! We have special link that will save you 15% off SILVERWOOD: THE DOOR, the new Serial Box (fiction) series coming this October from showrunner and head writer Brian Keene and writers Richard Chizmar, Michelle Garza, Melissa Lason, and Stephen Kozeniewski (based on the BlackBoxTV YouTube original series from Tony E. Valenzuela).
About the Story:
Deep within the forest of Silverwood, California, a crack between dimensions has appeared. A dark force that lurks among the trees is growing stronger, determined to return home if it can only gather the strength to open the door—bad news for a Cub Scout troop and the employees of Hirsch Capital on a company retreat nearby. As their darkest fears and impulses power the mysterious force, their bonding exercises take a deadly turn. Will anyone be able to keep their minds long enough to close the door before our world is torn apart?
How Serial Box Works:
Serial Box brings everything that’s awesome about TV (easily digestible episodes, team written, new content every week) to what was already cool about books (well-crafted stories, talented authors, enjoyable anywhere).
Like TV, they release a new episode of our serials every week and serials typically run for seasons of 10-16 weeks. Easy to pick up, episodes are enjoyable on their own but build over the course of the season to tell a bigger story. Each episode is available in ebook and audio and takes about 40 minutes to enjoy.
Richard Chizmar is a New York Times, USA Today, Wall Street Journal, Washington Post, Amazon, and Publishers Weekly bestselling author. He is the co-author (with Stephen King) of the bestselling novella, Gwendy’s Button Box. He has edited more than 35 anthologies and his fiction has appeared in dozens of publications, including multiple editions of Ellery Queen’s Mystery Magazine and The Year’s 25 Finest Crime and Mystery Stories. He’s also an accomplished screenwriter and the founder/guiding force behind Cemetery Dance. Recently, he took on another project: answering these questions about his work on Silverwood: The Door.
The year was 1988. I had been a serious horror reader for years and things were really starting to get interesting. We had it all then. Big names, legends, were still publishing: Robert Bloch, Ray Russell, Manly Wade Wellman, Hugh B. Cave, and others. Newer writers like Dennis Etchison, Richard Christian Matheson, Ramsey Campbell, and Michael McDowell were getting into high gear. Writers were migrating from the SF field. And there was a new, streetwise style of horror breaking barriers, from writers like John Skipp, Craig Spector, David J. Schow, Ray Garton. It was a heyday, and it seemed like every new author on the scene I heard about was well worth my time and money.