Silverwood: The Door is the follow-up to Silverwood, an original video series from Tony Valenzuela’s Black Box TV (episodes are available on YouTube). Brian Keene acts as showrunner for a writers room featuring Cemetery Dance founder and publisher Richard Chizmar, Stephen Kozeniewski, and the Sisters of Slaughter – Michelle Garza and Melissa Lason. The result is a 10-episode series, released in weekly installments in both prose and audiobook formats beginning in October. The team promises a mix of horror styles encompassing slashers, splatterpunk, psychological, Lovecraftian, and more.Continue Reading
Tag: Blu Gilliand
Review: We Sold Our Souls by Grady Hendrix
We Sold Our Souls by Grady Hendrix
Quirk Books (September 18, 2018)
336 pages; $16.50 hardcover; $14.99 e-book
Reviewed by Blu Gilliand
The idea that rock ‘n roll is the Devil’s music is as old as a Robert Johnson blues riff. It’s an idea that’s been mined by countless musicians and writers over the years, to varying degrees of success. Leave it to Grady Hendrix, acclaimed author/historian of ’70s and ’80s horror fiction, to breathe new life into one of horror’s most well-worn tropes.Continue Reading
Silverwood: The Door – An Interview with Stephen Kozeniewski
Silverwood: The Door is the follow-up to Silverwood, an original video series from Tony Valenzuela’s Black Box TV (episodes are available on YouTube). Brian Keene acts as showrunner for a writers room featuring Cemetery Dance founder and publisher Richard Chizmar, Stephen Kozeniewski, and the Sisters of Slaughter – Michelle Garza and Melissa Lason. The result is a 10-episode series, released in weekly installments in both prose and audiobook formats beginning in October. The team promises a mix of horror styles encompassing slashers, splatterpunk, psychological, Lovecraftian, and more.Continue Reading
Review: Severance by Ling Ma
Severance by Ling Ma
Farrar, Straus & Giroux (August 2018)
304 pages; $19.60 hardcover; $13.99 e-book
Reviewed by Blu Gilliand
I’ve read a post-apocalyptic novel or two in my day, and a common thread that runs through them is that when the bomb drops or the plague hits or whatever apocalyptic thing it is that happens happens, people stop going to work. The apocalypse, it seems, is an unimpeachable reason to play hooky.
Not so in Ling Ma’s entertaining, thought-provoking debut novel, Severance. In Severance, when the apocalyptic thing happens — in this case it’s a disease called Shen Fever — the unaffected minority keep going to work. For some, it’s a coping mechanism. For others, it’s the promise of a hefty bonus, or the idea that their loyalty to the company will get them ahead when this all blows over.
For Candace Chen, it’s a case of not knowing what else to do.Continue Reading
If Books Could Kill: Jason Voorhees in Print
If Books Could Kill: Jason Voorhees in Print
Somewhere along the way, Friday the 13th got a new mascot. Instead of an unlucky black cat — back arched, fur standing on end, claws bared, hissing — the official symbol of this unofficial holiday became a mute serial killer in a hockey mask.
His name is Jason, and today is HIS day. Today, you won’t be able to look at social media without seeing his masked mug on every other post. There will be lists about his best kills, and debates about who is the best “Final Girl” (it’s Ginny, from Part 2), and arguments over which is his best movie (it’s The Final Chapter).
Here at Cemetery Dance, we love movies, but we live for books. So on this, the last Friday the 13th of 2018, I thought it would be appropriate to take a look at the Jason Voorhees story as it has played out in print. As you’ll see, the authors who have tackled the character of Jason Voorhees over the years have taken him on a ride as wild — and wildly uneven — as the film franchise itself.Continue Reading
Review: Stirring the Sheets by Chad Lutzke
Stirring the Sheets by Chad Lutzke
Bloodshot Books (April 2018)
130 pages; $8.99 paperback; $2.99 e-book
Reviewed by Blu Gilliand
Read enough horror, and you start feeling like you can predict where a book or story is going to go within a few pages or chapters. I’m not saying that all horror is predictable or formulaic; just that enough of it is that some reviewers (like me) might find themselves getting a little cocky after a few successful predictions. Then someone like Chad Lutzke comes along with a novella like Stirring the Sheets, and gleefully knocks you off your high horse.Continue Reading
Serial Box, Brian Keene introduce new fiction series SILVERWOOD: THE DOOR
If you follow Brian Keene on social media, you probably noticed he’s been teasing us all a lot lately. I don’t mean teasing in a mean, name-calling, bullying kind of way; I mean he’s been dangling a mysterious new project in front of us like a carrot on a stick. Finally, during a May 11 telethon that featured a rap battle and Keene wearing tights, among other things (oh, and that raised over $21,000 for the Scares That Care charity!), the beans were spilled: Keene has joined forces with Serial Box and a room full of talented horror writers to produce a new prose fiction series called Silverwood: The Door.Continue Reading
Review: Blood Standard by Laird Barron
Blood Standard by Laird Barron
G.P. Putnam’s Sons (May 29, 2018)
336 pages; $26.00 hardcover; $12.99 e-book
Reviewed by Blu Gilliand
Just when I thought I was out, they pull me back in.
While The Godfather Part III is not the most revered entry in that series, that Al Pacino line is one of the franchise’s most memorable quotes. The idea behind it—the notion that people play certain inescapable roles in their life, no matter how hard they may try to change—is the basis for quite a bit of crime fiction, and it forms the backbone of Laird Barron’s new novel, Blood Standard.Continue Reading
Review: Unbury Carol by Josh Malerman
Unbury Carol by Josh Malerman
Del Rey (April 10, 2018)
384 pages; $24.54 hardcover; $12.99 e-book
Reviewed by Blu Gilliand
I had certain expectations for Unbury Carol. That was foolish. I should know by now, after reading much of Josh Malerman’s output (except, somehow, the one that got everybody talking about him to begin with: Bird Box), that he is not going to deliver the expected. So, when I allowed the title and the synopsis and the cover to lead me to expectations of a western/horror hybrid that would be a dark cross between a fairy tale and a Hammer movie…well, I should have known that wasn’t what I was going to get.Continue Reading
Mary SanGiovanni stirs up a Tempest
Mary SanGiovanni is a prolific author and podcaster, and she’s getting ready to add another title to the list: editor. Recently, SanGiovanni announced that she is joining forces with respected publisher Thunderstorm Books to form a new, female-centric imprint. In the following interview, SanGiovanni discusses her approach to creating and curating this new line of horror fictionContinue Reading
Review: Hellraiser: The Toll by Mark Alan Miller
Hellraiser: The Toll by Mark Alan Miller
Subterranean Press (February 28, 2018)
96 pages; $40 hardcover
Reviewed by Blu Gilliand
Over the years, the Hellraiser mythology has become something of a hash, combining elements of Clive Barker’s original novella The Hellbound Heart with bits from the Hellraiser movies (mainly the first two in the franchise: Hellraiser and Hellbound: Hellraiser II). Nowhere is this more evident than in The Scarlet Gospels. In Barker’s 2015 novel, the cenobite known as Pinhead (but not to his face; no, never to his face) was a sometimes confusing mix of the elegant sadist from Hellbound Heart and a bloodthirsty, Hollywood-style slasher.Continue Reading
Review: Apart in the Dark by Ania Ahlborn
Apart in the Dark by Ania Ahlborn
Gallery Books (January 2018)
384 pages; $8.49 paperback
Reviewed by Blu Gilliand
Quiet horror is, to me, the most effective style of horror, especially when it comes to written horror. Shocks, gore, jump scares—when done right, those things work in the moment. But quiet horror, when done right, lingers. Stays with you. Comes back to you at the worst (i.e., the best) possible times, like when you’re just about to drift off to sleep and you hear a soft thump behind the closet door, or when you catch a glimpse of something out of the corner of your eye that disappears when you look straight at it. Shock hits you and then wears off a second later and you’re laughing, shaking your head, saying “They got me again.” Quiet horror hangs around, and when it comes back to you, nobody is laughing.Continue Reading
Robert McCammon Previews The Listener
Robert McCammon Previews The Listener
The Listener Preview Event
The Alabama Booksmith, Birmingham, Alabama
December 5, 2017
by Blu Gilliand
More than a dozen devoted fans (some driving from more than three hours away) braved a rainy Alabama night to gather at The Alabama Booksmith for a “preview party” for Robert McCammon’s upcoming Cemetery Dance novel The Listener.Continue Reading
Review: The Weight of Words edited by Dave McKean and William Schafer
The Weight of Words edited by Dave McKean and William Schafer
Subterranean Press (December 2017)
248 pages; $40 hardcover
Reviewed by Blu Gilliand
Like all great artists, Dave McKean has a style that is immediately recognizable as his and his alone. His unique visuals have graced everything from comic books (perhaps most notably his eight-year run as cover artist for Neil Gaiman’s Sandman series and his collaboration with Grant Morrison on the graphic novel Arkham Asylum) to album covers. book covers….even stamps. So, what happens when you ask a group of authors to filter that style through their own distinct voices?Continue Reading
Review: Bubba and the Cosmic Blood-Suckers by Joe R. Lansdale
Bubba and the Cosmic Blood-Suckers by Joe R. Lansdale
Subterranean Press (October 2017)
200 pages; $31.84 hardcover; $6.99 e-book
Reviewed by Blu Gilliand
Back in 1994, Joe R. Lansdale wrote a story called “Bubba Ho-Tep” about an elderly Elvis Presley teaming up to fight a mummy with a fellow nursing home resident who thought he was JFK, and I read it and thought, “Welp, it doesn’t get much crazier than that.” Boy, was I wrong.Continue Reading