
I look back at the nineteen-eighties, which some consider the Golden Age of Horror. I was a rabid fan at the time and I continue to be one. There were milestones in the genre in this renowned era, especially, I’d say, from 1984 to 1988.
Stephen King’s It certainly qualifies. Clive Barker’s The Books of Blood brought a baroque aesthetic to horror fiction. John Skipp and Craig Spector’s The Light at the End ushered in a new breed of horror and a new breed of fan. Robert McCammon’s Swan Song would make the list.Continue Reading










Of the countles sub-genres of horror, body horror is one that I don’t often turn to. There’s just something too real, too personal about it. Sure, a madman wielding a weapon is scary, but you can (unless he’s teleporting Jason Voorhees) theoretically escape from that. You can’t, however, run from a horror that’s coming from within your very own bones, your blood. Author Chad Lutzke doesn’t have such reservations. As a matter of fact, he got into body horror as a kid, courtesy of the 1965 horror flick 

The works of Ray Bradbury have inspired countless horror and dark fantasy writers over the years, myself included. Bradbury’s vivid imagery and dreamlike, poetic prose is something to behold. But how do his works translate to the screen? Is it possible to capture the thrills and magic of Bradbury’s work in television or film? I absolutely adore his 1962 novel 