In the past, when I’ve read horror short story collections, I’ve found them a bit insular; they’re always too fast, and the payoff isn’t consistent.
I Hear The Clattering of the Keys is a horrific web of tragedy, love, and the supernatural — a complete antithesis of what’s turned me off to short stories in the past. Continue Reading
There’s an old saying that water can wear away stone, but only over hundreds of years. In a classic Stephen King novel, Christine, a character, argues that people are not stone, but mortal.
Spencer Hamilton’s Sister Funtime untethers this phrase from such limitations and instead strangles it into a festering devout, sinister power — something inhuman and hungry for flesh. Continue Reading
Catriona Ward’s The Last House on Needless Street promises a serial killer, a kidnapped child, a religious cat, and falsities scattered in every direction — one misstep and the trap snaps.
The main character, Ted, carries childhood trauma, a strange attachment to his abusive mother, and a dangerous, twisted side that reminds me of the real-world serial killer, Ed Gein, who went on to inspire characters like Norman Bates and Thomas Harris’ Buffalo Bill.
Velvet Was the Night by Silvia Moreno-Garcia Del Rey (August 2021) 288 pages; hardcover $14; paperback $20.48; e-book $13.99 Reviewed by Haley Newlin
They were both angry at the world, that was why this was happening. It was a kiss of scorpions, both heavy with poison.
Once again, Silvia Moreno-Garcia exhibits the versatility of her eloquent storytelling in her noir/pulp fiction novel Velvet Was the Night.Continue Reading
I immediately knew Adam Nevill’s writing style, and storytelling was for me within the first few chapters of Cunning Folk.
Nevill opens with a horrific scene of a man which readers can only guess spells misfortune for the protagonist, Tom, and his family (wife Fiona and daughter Gracey).
Nevill then takes us to present day, where Tom‘s family arrives at their new home in rural Southwest England. The property is a massive but ruinous-looking house, one in which the tragic history and condition made affordable.
I had the immense pleasure of reading Cassandra Peterson’s new memoir, Yours Cruelly, Elvira, and attending a live event celebrating the release.
Two opportunities I know I’ll never forget. I mean, it’s damn near impossible to forget the cheeky, tassel-twirling queen of Halloween.Continue Reading
“Too much power makes a woman dangerous. And that was her project, creation and power.” — Rachel Yoder
Rachel Yoder’s Nightbitch is a horrifically brilliant mirage of Jekyll and Hyde meets the estranged relationship of women and society. The story follows a stay-at-home mother, aka Nightbitch (we never get her real name), who spends her days resenting the role she feels trapped in as a constant caregiver. She longs for the simplest of things — a shower, a glass of wine, to return to her artwork. Instead, Nightbitch plays trains with her son, cleans up his strand of messes in the house, and deals with his tantrums.
On top of it all, Nightbitch develops a thick coat of hair at the base of her neck, not to mention a matching tail.
In her transformation, Nightbitch finds an animalistic, protective connection to her son — who she begins to see as a pup — she hadn’t had before, and an odd sense of individuality.
Nightbitch is one of the most bizarre books I’ve ever read. And yet, it’s among the most intelligent stories, alluding to the style of Mary Shelley, Shirley Jackson, and Franz Kafka.
Without outright belonging to the horror genre, Yoder lines the pages of Nightbitch with bloodthirst and an unsettling craving for carnage. And the best part, these animalistic qualities are all woman, or, rather, a grim and poetic depiction of the unspoken rage, exhaustion, and longing crashing the joys of motherhood.
While reading, I constantly felt torn between liberation and questioning Nightbitch’s sanity — a complicated and wildly entertaining tug-and-pull.
Nightbitch is certainly not for everyone, and it has a heavy philosophical weight. Though I enjoyed the literary qualities, I’d definitely have to be in the mood for such an interpretive read.
I wish more universities, particularly those studying feminist literary theory, would share this book with students. It’s a hell of a metaphor for modern femininity and the accompanying pressures.
I recommend Nightbitch for readers who enjoy literary fiction with dark fantasy and horror elements, such as monsters or the combination of lore and philosophy.
Haley Newlin’s Take Your Turn, Teddy is a dark, psychological horror story exploring the manifestations of early childhood trauma. Newlin uses themes of domestic violence, anxiety, and isolation to create a provocative landscape, The Shadow, for her characters to encounter and battle. A disturbing glimpse of how a broken spirit can unleash powerful demons of the soul. Absolutely captivating, I couldn’t put it down.Continue Reading