Author Cemetery Dance OnlinePosted on Categories Exhumed3 Comments on “The Departing of Debbie” and “Terry and the Werewolf” 
Hello again, folks. This is the fourth installment of monthly double reviews studying the structure of great horror fiction published in our beloved Cemetery Dance.
Last time I reviewed John B. Rosenman’s “Rock of Ages” from Cemetery Dance #1 (1988) and K. S. Clay’s “Bad Luck” from Cemetery Dance #74/75 (2016). Fellow author James Pyne commented that short fiction is becoming the preferred mode of digesting fiction these days. Do you agree? Continue Reading
Hello again, folks. This is the third installment of monthly double reviews studying the structure of great horror fiction published in our beloved Cemetery Dance.
Last time I reviewed David B. Silva’s “Fury’s Child” from CD #1 (1988) and Lisa Morton’s “The Rich are Different” from CD #74/75 (2016).
If you haven’t read either one, do check them out. The Silva story in particular is hard to find… of course. 😉
This month we’ve got another 2 stories from the same 2 issues…Continue Reading
Author Cemetery Dance OnlinePosted on Categories Exhumed4 Comments on “Fury’s Child” and “The Rich Are Different”
Hello again, folks. This is the 2nd installment of “Exhumed”—monthly double reviews studying the structure of great horror fiction published in our beloved Cemetery Dance.
Last time I reviewed Steve Rasnic Tem’s “The Double” from CD #1 (1988) and Michael Wehunt’s “The Inconsolable” from CD #73 (2016). If you didn’t catch that one, do check it out. Both stories are well worth your consideration.
Let’s see what we’ve got on the docket for this month… Continue Reading
Author Cemetery Dance OnlinePosted on Categories Exhumed10 Comments on “The Double” and “The Inconsolable”
Hi there folks, and welcome to “Exhumed: The Fiction of Cemetery Dance Magazine”!
Before you is the first of monthly double reviews that will study the structure of great horror fiction published in our beloved Cemetery Dance*.
My ultimate goal = trying to answer the question: “What makes us fear, squirm, shudder… and love this awesome genre so darned much?” Continue Reading
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