My 150th post to the online version of News from the Dead Zone. Let’s make it worth while, shall we?
The big news, of course, is yesterday’s publication of The Dark Tower 4.5, aka The Wind Through the Keyhole. I have a long review of the book in CD #66 and a shorter one at Onyx Reviews. The book is also out in the UK with a fascinating concept: The back cover is composed of hundreds (if not thousands) of user-contributed photographs, including mine. I haven’t seen the final product yet, but I expect that the pictures will be so small as to be unrecognizable but the online graphic lets you look around to see how it was built. A neat idea.
King reads the audio version, which is available on audio CD (not to be confused with this CD) and as an MP3 download. It also contains the opening section of Doctor Sleep, which will be published next year. There is an official Dark Tower page on Facebook, where you can read a discussion between King’s longtime editor, Scribner Editor-in-Chief Nan Graham, and his longtime editor and agent Chuck Verrill, of Darhansoff and Verrill, about the new book. My pal Bill Sheehan reviews the book in the Washington Post.
While we’re on the subject of the Dark Tower, the Marvel series The Way Station wraps up this month and the final series, The Man in Black, launches in June with artist Alex Maleev taking the reins. No word if Marvel will continue on past the end of The Gunslinger.
Ghost Brothers of Darkland County is nearing the middle of its run at the Alliance Theatre in Atlanta, GA. I wrote an essay for FEARnet about the show’s long road from inception to execution (Ghost Brothers I: The Long Road to Atlanta) and another in which I review the musical (Ghost Brothers II: Review). I was fortunate enough to be in attendance at for the red carpet premiere on April 11 and got to meet many of the principles and actors afterward. You can find a lot of great photos (not mine) here. No word yet on any CD release of the songs or if the show will have a life beyond Atlanta. Here’s a study guide about the story.
Neil Gaiman interviewed King for the Sunday Times (UK) magazine a couple of weeks ago. Among the revelations was the news that King was working on a novel called Joyland about an amusement park serial killer. King’s administrator follows up by saying that “this is indeed a work in progress that has been completed but will need to be edited. There is no official publisher or publication date set at this time. We will update you as more official news becomes available.”
11/22/63 was a winner at the 32nd annual Los Angeles Times Book Prizes in the mystery/suspense category. It has also been nominated for an International Thriller Award. The trade paperback edition will be out in October.
“Herman Wouk is Still Alive” (yes, he really is) won the Bram Stoker Award for short story. An audio adaptation of the story was prepared for Tales to Terrify in the run-up to the award ceremony. (While you’re there, check out an audio adaptation of my story, “Silvery Moon.”)
SyFy plans to adapt The Eyes of the Dragon for the cable network, we learned yesterday. It’s “in development,” with Michael Taylor and Jeff Vintar writing and Taylor executive producing with Bill Haber.
Mark Pavia (director of The Night Flier) is working on an anthology movie called Stephen King’s The Reaper’s Image that will adapt these four stories: “The Reaper’s Image,” “The Monkey,” “N,” and “Mile 81.”
Chloe Moretz has been chosen to play Carrie in the remake planned for next March. Julianne Moore is reportedly in talks to play Margaret White. Kim Pierce, the director, writes on Facebook: “I have gone back to the wonderful Stephen King book Carrie; I am also modernizing the story as one has to in order to bring any great piece of work written in one era into the next and especially given how very relevant this material is right now.”
I did an hour-long podcast about the Mick Garris miniseries Bag of Bones hosted by Louis Sytsma and featuring his frequent fellow podcaster Karen Lindsay.
All the links fit to print:
Norse Mythology by Neil Gaiman
When a series reaches the level of fan adoration and critical acclaim that Neil Gaiman’s The Sandman has, there’s always going to be a clamoring for more. Yes, it has been nearly 20 years since the 75th and final issue of the comic series was published by DC, but the work has aged magnificently, standing even now as a testament to what the medium is capable of, and as a standard which is rarely equaled.
