King conducted another self-interview last week. He says this about the nearly completed novel, Under the Dome: “It’s twice the length of Duma Key. Over 1500 pages in manuscript. The first draft weighs 19 pounds.”
This week, Marvel starts shipping out the first issues of The Stand and Treachery, the third cycle in the Dark Tower series. UGO has a six-page preview of The Stand at their web site. Here is an interview with artist Mike Perkins.
King reviews Suzanne Collins’ The Hunger Games in the current issue of Entertainment Weekly.
The October issue of Fantasy and Science Fiction magazine containing the new King story “The New York Times at Bargain Prices” is on news stands now.
Filming is now under way in Tipton and Wilton, Iowa and other locations in the Quad-City area for the remake of Children of the Corn. Among the cast: David Anders (Heroes), Kandyse McClure (Battlestar Galactica) and Daniel Newman as Malachai. The film is scheduled to wrap at the end of September and will premiere on the Sci-Fi Channel next year.
Two newish books that might be of interest to you. The Films Of Stephen King, edited by Tony Magistrale is the first collection of essays assembled on the cinematic adaptations of King’s work. Chapters are written by cinema, television, and cultural studies scholars. Haunted Heart: The Life and Times of Stephen King an unauthorized biography by Lisa Rogak will be published in January 2009.
Here is JJ Abrams’ most recent comment on a Dark Tower movie: “The Dark Tower is to me every bit as daunting an adaptation as the Lord of the Rings trilogy must have been for Peter Jackson, except we’ve got seven books we’re looking at. And the idea of doing that at the same time Carlton and I are bringing Lost to a close is simply not viable. There are always Dark Tower conversations, but the figuring out of what this will look like as a movie has not begun. If The Dark Tower were in the right hands, I would love to see seven movies executed just right. But you have to get people to see the first one to get them to come and see the second one.”
Here is the Publisher’s Weekly review of Just After Sunset:
In the introduction to his first collection of short fiction since Everything’s Eventual (2002), King credits editing Best American Short Stories (2007) with reigniting his interest in the short form and inducing some of this volume’s contents. Most of these 13 tales show him at the top of his game, molding the themes and set pieces of horror and suspense fiction into richly nuanced blends of fantasy and psychological realism. “The Things They Left Behind,” a powerful study of survivor guilt, is one of several supernatural disaster stories that evoke the horrors of 9/11. Like the crime thrillers “The Gingerbread Girl” and “A Very Tight Place,” both of which feature protagonists struggling with apparently insuperable threats to life, it is laced with moving ruminations on mortality that King attributes to his own well-publicized near-death experience. Even the smattering of genre-oriented works shows King trying out provocative new vehicles for his trademark thrills, notably “N.,” a creepy character study of an obsessive-compulsive that subtly blossoms into a tale of cosmic terror in the tradition of Arthur Machen and H.P. Lovecraft. Culled almost entirely from leading mainstream periodicals, these stories are a testament to the literary merits of the well-told macabre tale.
Stephen King Goes to the Movies is a 400-page collection due out from Pocket Books in January 2009. In it, King provides brand new commentaries and introductions for five of his favorite stories that have been adapted for the big screen: The Shawshank Redemption, 1408, Children of the Corn, The Mangler, and Hearts in Atlantis. This big book will include an introduction by King, his personal commentary, and behind-the-scenes insights by Stephen.