Review: 'Spore' by Tamara Jones

Spore by Tamara Jones
Samhain Publishing (June 2015)
266 pages, e-book $4.24, paperback $15.99
Reviewed by Frank Michael Errington

SporeThe author started her academic career as a science geek, earned a degree in art, and, when she’s not making quilts or herding cats, writes tense thrillers as Tamara Jones and the award-winning Dubric Byerly Mysteries series (Bantam Spectra), as Tamara Siler Jones. Despite the violent nature of her work, Tam’s easygoing and friendly. Not sick or twisted at all. Honest.Continue Reading

Review: 'The Best Horror of the Year Volume Seven' edited by Ellen Datlow

The Best Horror of the Year Volume Seven edited by Ellen Datlow
Night Shade Books (August 18, 2015)
416 pages; $7.64 paperback/$7.26 ebook
Reviewed by Frank Michaels Errington

BestHorror7The Best Horror of the Year Volume 7, edited by the amazing Ellen Datlow, brings together twenty-two diverse authors in a collection that features a little bit of everything the horror genre has to offer. It truly does have something for everyone. Ellen has been at this for a long time. An editor of science fiction, fantasy, and horror short fiction for more than 30 years and has more than 50 anthologies to her credit.Continue Reading

Review: 'King of the Bastards' by Brian Keene and Steven Shrewsbury

King of the Bastards by Brian Keene and Steven Shrewsbury
Apex Book Company (July 2015)
182 pages, e-book $6.99, paperback $15.95
Reviewed by Frank Michaels Errington

Pageflex Persona [document: PRS0000037_00021]Brian Keene, a name synonymous with horror, and Steven Shrewsbury, best known for his work in the sword-and-sorcery genre, have combined their considerable talents and given us King of the Bastards. Told as a story to a small group of children, it was to be about their grandfather, the king…

“Was grandfather king of the entire old world?”

“No, he ruled but a small part of it. But he was known, feared, and lusted after throughout the entire old world. Kings, women, brigands, and bards—all knew his name. It is KING OF THE BASTARDS.”Continue Reading

Review: 'The Hunt' by Tim Lebbon

The Hunt by Tim Lebbon
Avon (July 2015)
400 pages, paperback $6.68
Reviewed by David Simms

HuntThe transition from writing horror to thrillers sounds like it should be an easy move, yet very few authors have mastered the art of actually “thrilling” the reader from the first page to the last without letting up. Tim Lebbon pretty much pulled off the task in his first attempt in a definite departure from horror and fantasy. That might be due in part to Lebbon’s training in endurance sports, entering triathlons, Iron Man, and Outlaw competitions. The man knows how to sustain pace and suspense.Continue Reading

Review: 'Goblins' by David Bernstein

Goblins by David Bernstein
Samhain Publishing (August 4, 2015)
210 pages, e-book $4.24, paperback $14.99
Reviewed by Frank Michaels Errington

GoblinsDavid Bernstein makes his home in NYC and is likely hard at work on his next novel. David writes all kinds of horror, from hair-raising ghost stories to gore-filled slashers to adventure-filled apocalyptic tales of terror. Recent works include The Unhinged, Witch Island, and Apartment 7C.

His latest book, Goblins, is a genuine monster-fest featuring…are you ready for it? GOBLINS. I don’t think you can call that a spoiler since it’s the title and there’s a nice picture of one right there on the cover.Continue Reading

Review: 'Devil's Pocket' by John Dixon

Devil’s Pocket by John Dixon
Gallery Books (August 4, 2015)
352 pages, e-book $8.99, paperback $10.99
Reviewed by David Simms

DevilsPocketJohn Dixon gave the YA world a much needed punch to the throat last year with Phoenix Island, a novel that was filled with brutality, humanity, and intelligence. It launched the television series Intelligence, but even better, won the Bram Stoker Award for “Best YA Novel” this past May.

Sequels in book series usually tail off a bit, even in the most successful books, typically a rehashing of the first book. What does Dixon do? He takes a wide left turn into uncharted territory where it could have been disastrous for the many fans he accumulated.Continue Reading

Review: 'The Blumhouse Book of Nightmares: The Haunted City' edited by Jason Blum

The Blumhouse Book of Nightmares: The Haunted City edited by Jason Blum
Doubleday (July 2015)
384 pages, e-book $5.99, hardcover $18.33, paperback $10.32, Audible $29.95
Reviewed by Frank Michaels Errington
 blumhouseThe Blumhouse Book of Nightmares: The Haunted City is a stunning anthology from some of the biggest names in horror film and literature.

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Review: 'Hannahwhere' by John McIlveen

Hannahwhere by John McIlveen
Macabre Ink (a division of Crossroad Press) ( June 2015)
379 pages, $4.99 Various e-book formats
Reviewed by Frank Michaels Errington
hannahwhereJohn McIlveen is a relatively new voice in horror, having appeared in a number of high profile anthologies over the last few years including Epitaphs, Borderlands 5, Eulogies II, and Of Devils and Deviants.  October of 2014 saw publication of his first collection of short fiction, Inflictions from Macabre Ink, a division of Crossroad Press. Hannahwhere is his first full-length novel and it was worth the wait.

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Review: 'B-Movie War' by Alan Spencer

B- Movie War by Alan Spencer
Samhain Publishing (November 2014)
248 pages; $10.28 paperback/$4.24 ebook
Reviewed by Damon Smith 

b-movie-warVery quickly into B-Movie War, I realized that it’s a sequel to Spencer’s other B-Movie books, all of which are also published through Samhain. However, outside of a few cameos and references, knowledge of the previous books isn’t necessary to understand what is happening in B-Movie War.Continue Reading

Review: 'Devil's Breath' by Greg F. Gifune

Devil’s Breath by Greg F. Gifune
Darkfuse (July 2015)
90 pages, $3.99 Kindle
Reviewed by Frank Michaels Errington

devils_breathGreg. F. Gifune is a best-selling author, called “one of the best writers of his generation” by both the Roswell Literary Review and author Brian Keene. Devil’s Breath is his newest novel published by Darkfuse. “Devil’s Breath” is a real thing – go ahead and Google it. It’s pretty scary stuff and was the direct inspiration for this wonderful work of fiction.Continue Reading

Review: 'Little Girls' by Ronald Malfi

Little Girls by Ronald Malfi
Kensington (June 2015)
384 pages, $10.35 paperback/$9.83 ebook
Reviewed by Frank Michaels Errington

LittleRonald Malfi is the award-winning author of the novels Floating Staircase, Snow, The Ascent, and several others. He currently lives along the Chesapeake Bay where he is at work on his next book.

Laurie Genarro’s estranged father has passed away, an apparent suicide, and Laurie, her husband, Ted, and ten-year-old daughter Susan have traveled from Connecticut to Maryland to deal with the estate. When they pull up to the house on Annapolis Road Susan comments, “It looks like a haunted house.” Little did they know what they’d find.Continue Reading

Review: 'Working for Bigfoot' by Jim Butcher

Working for Bigfoot by Jim Butcher
Subterranean Press (June 2015)
Reviewed by Blu Gilliand

Working_for_Bigfoot_by_Jim_ButcherLong-time fans are likely to be the biggest benefactors of Working for Bigfoot, Jim Butcher’s collected trio of Harry-Dresden-meets-Sasquatch stories, but newbies (like me) may find it the perfect gateway into the world of the author’s popular Chicago-based wizard.Continue Reading

Review: 'White Knuckle' by Eric Red

White Knuckle by Eric Red
Samhain Publishing (June 2015)
Reviewed by Blu Gilliand

whiteknuckleIf White Knuckle reads like the tie-in novel to a classic 1980s slasher flick, it’s understandable – author Eric Red counts the original screenplays for 1980s horror classics The Hitcher and Near Dark among his accomplishments. White Knuckle benefits from Red’s cinematic background, as he tells the story – a rig-driving serial killer plays a deadly game of cat-and-mouse with a determined, if inexperienced FBI agent – at a breakneck pace right from page one.

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Stephen King: News from the Dead Zone #179

Featured review: Finders Keepers

Lisey Landon had a word for the people who clamored for the fragments, snippets and memorabilia of her dead husband’s literary estate: Incunks. Is there is a similar word for those who seek the remnants of a living (though perhaps inactive) author?

Finders_Keepers_2015Morris Bellamy is obsessed with John Rothstein, a writer cut from the same cloth as J.D. Salinger. Rothstein withdrew from the world in 1960, living in New Hampshire a mile from his nearest neighbor. Now almost eighty, he is most famous for a trilogy featuring protagonist Jimmy Gold.

Bellamy has read the first two books, The Runner and The Runner Sees Action, countless times, but the final book only once, so much does he loathe the fate that befell a character who is more alive to him than most real people. He thinks Rothstein sold out, made Gold go establishment in The Runner Slows Down (the series titles are reminiscent of John Updike), where Gold winds up married with kids and working in advertising.

In 1978, convinced that Rothstein must have continued writing in the two decades since his last story appeared in The New Yorker, Bellamy enlists the help of two clueless accomplices and invades Rothstein’s farmhouse. They uncover wads of cash and, more importantly to Bellamy, scores and scores of ledgers containing Rothstein’s handwriting.

By all rights, Bellamy should have been caught soon after the robbery, but, like Brady Hartsfield in Mr. Mercedes, luck is on Bellamy’s side. Sort of. He isn’t arrested because of this incident but rather because of something that happens subsequently. His Achilles’ heel is that he can’t handle being made to feel stupid. He’d already spent nine months in juvenile detention after a drunken rampage sparked by an argument with his mother over the Rothstein novels. He blames her for his incarceration—he’s never takes responsibility for his own actions. This time, his drunken misadventures end in a far worse outcome and he is sentenced to life in prison—before he has the chance to savor the spoils of his robbery.

Though nominally a sequel, Finders Keepers works perfectly well as a standalone novel. It intersects with Mr. Mercedes via the City Center Massacre, where Hartsfield killed several people and maimed others with a stolen Mercedes. In the second book of a proposed trilogy, that incident is represented by the Saubers, a family who fell on hard times during the economic downturn. Tom Saubers was waiting in line at the job fair that fateful day. He survived, but was seriously injured and ends up hooked on painkillers during his rehabilitation. There are frequent loud arguments with his wife, mostly over money.

Then thirteen year old Pete Saubers stumbles upon a buried treasure. Not only does the trunk he discovers in a vacant lot near his house (the same one Morris Bellamy grew up in) contain stacks of cash, it also holds intriguing, handwritten ledgers. At the time, Pete has no idea who John Rothstein is, but over the following years he becomes familiar with the man’s work.

In Pete’s mind, this is a case of “finders keepers,” but if he gives the money to his parents, they’ll want to report it to the cops. So, he mails them $500 each month anonymously. The Saubers convince themselves it’s further compensation for Tom’s injuries. It won’t make them wealthy, but it’s enough to silence the worst of the arguments. Pete’s discovery represents the turning point for his family.

But the money runs out four years later.

By then, Pete understands the true value of the ledgers, which contain poems, short stories and two unpublished Jimmy Gold novels that complete the cycle. Liquidating them is a problem, especially for a high school sophomore. If he turns them in, he won’t get anything more than a pat on the back, and he wants to raise enough money so his younger sister, Tina, can go to private school. She’s smart, but falling through the cracks at public school. He’s forced to seek the help of a shady individual, which sets into motion a catastrophic sequence of events that jeopardizes his entire family.

For the first 150 pages, the story bounces around between 1978 and 2009-2013, relating incidents in Bellamy’s and the Saubers’ lives. Then Det/Ret Bill Hodges gets involved and the pace of the novel accelerates to breakneck speed, with the second half covering only a few days.

The novel is dedicated to John D. MacDonald, who wrote the introduction to Night Shift and penned a series featuring Travis McGee[1]. McGee helped people who had things stolen from them in a way that precluded legal recourse. For his services, he kept fifty percent of whatever he recovered. Half of something was better than nothing, he reasoned.

Crossovers

As with Mr. Mercedes, Finders Keepers is set in the “real world,” where Stephen King is a person who writes books, movies are adapted from them and popular tropes have entered the cultural awareness. And yet, it can’t be a coincidence that Brady Hartsfield resides in Room 217 of the Traumatic Brain Injury Clinic. Can it?

Can it?

Hodges, slimmer and healthier than when he first retired, is in a similar business, a company called Finders Keepers he formed after he wriggled out of the trouble he found himself in because of his rogue investigation into the Mercedes Killer case four years earlier. When first seen in 2014, he’s repossessing a stolen Lear Jet from a con man. His fee isn’t half of the jet’s value, but it’s a tidy sum nonetheless. Plus, he brings the culprit to justice and puts a feather in his former partner’s hat, another move toward reconciling their rocky relationship.

Holly Gibney, the awkward and damaged woman who emerged to the forefront in Mr. Mercedes, is now Hodges’ assistant. She runs the office, keeps the files and performs computer research to help Hodges track his targets. She’s not completely healed—she still has numerous quirks—but her self-confidence has been boosted by recent experiences.

Hodges’ other “irregular,” Jerome Robinson, is at Harvard. His younger sister Barbara happens to be good friends with Pete Saubers’ sister, which is how Hodges gets involved. The disreputable bookstore owner Pete consults about the manuscripts puts the teenager in a difficult spot. The stress takes a toll on him and Tina notices the change in her brother’s behavior. However, Pete rebuff’s Hodges’ offer of assistance.

Morris Bellamy is paroled from prison after nearly four decades. Finally given a chance to recover the ledgers, he is incensed to discover that someone has beaten him to the punch. He has a suspect, though: the one person who knew about them when he was arrested. This puts him on a collision course with Pete Saubers and, ultimately, with Bill Hodges. Hodges’ investigation isn’t really the typical stuff of a detective novel—with the assistance of Jerome and Holly, they try to help Pete out of his predicament without understanding until late in the game exactly who is after him or why.

In the novel, King discusses the world of rare books and literature. He talks about natural selection in terms of which authors’ works survive over the decades and which don’t. The power of a story to captivate plays an important part in the novel’s resolution, as does the question of which is more important: the writing or the writer. Bellamy and Annie Wilkes share a common belief that their favorite authors owe them something when a series of books takes a direction they don’t like.

At times, Finders Keepers enters Kate Atkinson territory. Coincidence (or co-inky-dink, as one character puts it) plays a part in the proceedings. Pete finds Bellamy’s stash shortly after the Emergency Fund for victims of the City Center Massacre runs out. He approaches the bookseller with the ledgers barely a week before Bellamy goes looking for them. And Bellamy gets closer to the ledgers than he could possibly imagine due to a coincidence of geography.

And what of Brady Hartsfield? At the conclusion of Mr. Mercedes, King hinted that we hadn’t seen the last of him. That despite the grievous injury he received at the hands of Holly and Hodges’ happy slapper, there was still some life left in the young psychopath. Hartsfield is Hodges’ obsession. The retired detective wonders if he’s faking his condition, so he visits him frequently to try to catch him out. In the final pages of Finders Keepers, King lays the groundwork for the third book in the series, tentatively titled The Suicide Prince. It seems that Hodges is in for a rematch with his old nemesis.


[1] Another MacDonald novel, The Executioners, the inspiration for the movies Cape Fear, makes a cameo appearance in Finders Keepers in much the same way that a couple of King novels cameoed in Travis McGee novels

Stephen King: News from the Dead Zone #174: Revival

In an interview in June, King revealed his first thoughts about Revival. “It’s too scary. I don’t even want to think about that book anymore…It’s a nasty, dark piece of work.” A couple of months later, on his Twitter feed, he described it as “a straight-ahead horror novel. If you’re going to buy it, better tone up your nerves.”

Those comments, along with his publisher’s statement on the back of review copies that she asked him whether the book “really had to be this dark,” will probably remind people of King’s thoughts about Pet Sematary. After he finished writing that book, he deemed it too gruesome and disturbing to be published. His wife concurred, so a mythos developed around it. How bad could it be? As it turned out, pretty gruesome. Pretty disturbing.

Are comparisons between Revival and Pet Sematary appropriate? Well, yes and no. The first time I read Pet Sematary, I had to put it down from time to time because I could see where King was headed and I wasn’t ready to go there yet. It’s relentlessly bleak from the beginning.

Revival doesn’t start out seeming like it will be a dark book, but it does have a different feel to it. It’s hard to put my finger on it, but there’s something about the voice that stands apart from King’s other books.

The story begins in the 1960s, when Jamie Morton is six years old. He’s the youngest of five children and part of a loving family. They live in Harlow, Maine, his parents are normal and decent, as are his siblings. They attend Sunday services at the Methodist church.

A new minister comes to Harlow, a man named Charlie Jacobs who has a beautiful wife and a young son who everyone in the community dotes on. Looking back, Jamie refers to Jacobs as his “fifth business,” a movie term for an agent of change who pops out of the deck at odd times during a person’s life. You might be tempted to think Jacobs is evil, Randall Flagg in another guise, but that’s not the case. Jacobs and Jamie have a pleasant first meeting in the yard where the young boy is playing with toy soldiers, a recent birthday gift. Neither is Jacobs like the vile, pernicious title character in “The Bad Little Kid,” who keeps showing up time and again.

And yet there is a pervasive sense of dread and foreshadowing of terrible things to come. Jacobs casts a shadow over Jamie during their first meeting. There are hints that the Morton family’s future won’t be rosy. However, when the first crisis comes, it happens to Reverend Jacobs. A calamity befalls his family and, in the aftermath, his faith in God is tested and found wanting. He is forced to leave Harlow, and he falls out of Morton’s life for decades.

As a teenager, Jamie Morton develops a certain level of skill with a rhythm guitar. He and some of his school friends form a band and they play around the region throughout high school. His shyness fades and his popularity soars. He gets a long-term girlfriend. After school, he plays with a number of moderately successful groups. He’ll never be the front man, nor will his guitar chops bring him fame and fortune, but he’s solid, reliable, and can be called upon to fill in when needed. Reliable, that is, until life on the road leaves him vulnerable to various temptations, most notably heroin. He becomes so unreliable in his mid-thirties that his current bandmates take off without him, leaving him stranded in a motel.

He’s pretty much at rock bottom, which is when he again meets up with Charlie Jacobs, who now calls himself Dan Jacobs and is working in a carnival. Jacobs always had a fascination with electricity that borders on obsession. Back in Harlow, he used a homemade gadget to shock Jamie’s older brother out of a psychosomatic bout of muteness. He’s upped the ante now, and is using electricity as part of his act, creating stunning and unbelievable “Portraits in Lightning” of young women.

Jacobs recognizes Jamie…and his addiction, too. He treats Jamie, using a more advanced version of the technology he used on his brother, and Jamie’s addiction is gone. Just like that. He no longer craves heroin. Oh, there are side effects, to be sure, but they seem minor and, with time, they go away.

By now, we’re a third of the way through the book, and nothing truly sinister has happened. By the same point in Pet Sematary, Church had already come back from the dead. I say this to temper expectations that may derive from early comments about the book. Don’t get me wrong: this is a very dark book, but much of the darkness is reserved for the last thirty pages or so, when everything goes horribly wrong in ways readers are not likely to anticipate.

The story is told through the memories of Jamie Morton, who we see from the time he is six until he’s nearly sixty. Is there another King book that encompasses such a long span of a character’s life in such detail? None come to mind. Jamie’s life isn’t exactly overshadowed by the former Rev Jacobs, who goes on to become a televangelist called Pastor Danny, but he never seems to be able to shake himself free of the man, either. Jamie’s not a hero—he’s just an ordinary guy, plugging along, making mistakes…and not making very much of himself, either. He gets a job at a recording studio in Colorado, where he has a comfortable life. But…

Crossovers

Whereas Mr. Mercedes took place in the “real world,” and all of its King references were to fictional events or to film adaptations, Revival is firmly set in the Stephen King universe. The story begins in Harlow, Maine, which borders Chester’s Mill (Under the Dome) and isn’t far from Castle Rock. Later, events move to Nederland, Colorado, which was the hometown of the Colorado Kid. There is a reference to the Joyland fairground, and mention is made of De Vermis Mysteriis, a grimoire invented by Robert Bloch that appears in “Jerusalem’s Lot.”  There is a mysterious #19 or two, and reference to an enigmatic character from Insomnia, Dorrance Marsteller, aka Old Dorr.

Jacobs has come to believe that there exists a secret electricity. If he can tap into that, he will be able to accomplish great things. He has already invented revolutionary batteries and power generation devices that are far ahead of current technology, but he doesn’t use these to get rich, merely as stepping stones in his research. He has also healed afflictions in hundreds of people. However, not all of his experiments are as successful as his heroin cure for Jamie. Some of his patients suffer horrible side effects, and it becomes one of Jamie’s missions to keep track of all these missteps. For his part, Jacobs is willing to accept a few failures because, on the whole, he has helped more people than he harmed. People clamor for his assistance, as they did with Johnny Smith in The Dead Zone.

What does the book’s title mean? The word brings to mind tent revivals and evangelical preachers, and there’s an element of that here. Musicals and plays have revivals—it is derived from “reviving,” after all, as in bringing back to life. What exactly is Jacobs capable of if he finds his secret electricity?

It all comes down to the book’s climax, at which point Jacobs is a feeble old man and Jamie is no spring chicken. Jamie once again crosses paths with Jacobs, only this time the man’s darkest plan is about to come to fruition. How dark? Poe at his darkest. Lovecraft at his most fantastical and cynical. Think of the most pessimistic world view you can imagine and you probably won’t even be in the ballpark. Maybe there are worse things than dying, King suggests. Perhaps we should cling to this life with everything we’ve got.

This book is going to disturb people profoundly. I guarantee it.