Misery on Broadway – What Every Other Review Won’t Tell You
by Jason Sechrest
In the Fall of 2015, Misery came to Broadway – but that’s not necessarily as bad as it sounds.
The stage adaptation of the novel by Stephen King made its run at the Broadhurst Theater from November 15th, 2015 to February 14th, 2016, starring Bruce Willis as romance novelist Paul Sheldon (who has suffered a near fatal car accident in a snow storm), and Laurie Metcalf as Annie Wilkes, his “#1 fan” who has rescued him from said crash only to hold him captive in her home.
Now, we could have reviewed Misery on Broadway during its run, but where is the fun in all that?Continue Reading
Considered to be one of his darkest works, Stephen King’s 
BEFORE THE WALK 
We don’t often get the chance to see inside the creative mind at that level. I was pleased to be able to include some first draft manuscript pages of King’s work in the Stephen King Illustrated Companion because they demonstrate more of this phenomenon: pages from The Shining, for example, that show how King originally conceived the scene in which Danny has a strange encounter with a fire hose.
An interview with Stephen King is always a must read, an interview with George A. Romero can be a ton of fun, an Ira Levin interview is always interesting, and a Peter Straub interview is always eye-opening. Now, an interview with ALL FOUR at the same time… scratch that… a full-on hour-long discussion between the four of them, WOW. Mind-blowing. As soon as I heard that 
Discovering George Beahm’s first Stephen King Companion in 1989 was a revelation. Even then, there had been plenty of books written on the subject, starting off with Douglas Winter’s prescient The Art of Darkness; since, most books on King had tended toward the academic or the hyperbolic, with little in the way of a middle ground for readers who wanted to know more but didn’t necessarily want to take an American Lit class. The Stephen King Companion filled that gap, offering plenty of background information on King and the books, transcripts of important talks King had given, statistics on limited editions and insights into the books and stories that made up the bulk of interest on King. 
When we think of the great many characters conjured by the imagination of Stephen King, we most likely think of Carrie White, Annie Wilkes, Jack Torrance or Pennywise the Dancing Clown. Few authors in history have known how to construct such a vast array of multidimensional villains and villainesses. As a result, what gets lost in King’s sea of personalities are his heroes — the most interesting of whom is arguably one Johnny Smith, the main man of 
Those of us who’ve read our work in public understand how difficult it is to keep an audience engaged for longer than about 15 or 20 minutes. Unless you’re a skilled performer (Tom Monteleone comes to mind among that group), the audience will get restless if you go on much longer than that.