John Mellencamp reports that he and King are still looking for a director for their musical The Ghost Brothers of Darkland County. “What we will do is take it to Chicago or the equivalent and workshop it — get the kinks out before we try to take it to Broadway,” Mellencamp told the Bloomington Herald-Times. “Elton John opened his musical in San Francisco, and it lasted all of seven days before they closed it down and decided to rework it. When we hit Broadway, we want it ready from day one.”
Trisha McFarland is over her ordeal of being lost in the woods. However, according to an interview in the Philadelphia Daily News, “I had to go into counseling right around Christmas in 2003, when I was 14,” she said. “That’s when Tom Gordon signed as a free agent with the [censored] Yankees.” According to the parody, “She used a scatological modifier commonly used by all Red Sox fans over age 6 to describe their mortal baseball enemy.” For the record, Trish can breath easier now that Gordon plays for the Phillies.
Here is Scribner’s copy for Lisey’s Story. Read at your own peril!
Lisey Debusher Landon lost her husband Scott two years ago, after a twenty five year marriage of the most profound and sometimes frightening intimacy. Lisey knew there was a place Scott went—a place that both terrified and healed him, could eat him alive or give him the ideas he needed in order to live. Now it’s Lisey’s turn to face Scott’s demons, Lisey’s turn to go to Boo’ya Moon. What begins as a widow’s effort to sort through the papers of her celebrated husband becomes a nearly fatal journey into the darkness he inhabited.Perhaps King’s most personal and powerful novel ever, Lisey’s Story is about the wellspings of creativity, the temptations of madness, and the secret language of love.
Mick Garris talks to MovieHole about upcoming projects, including Desperation. I watched the movie last weekend and boy did Garris ever nail this one. It will be very interesting to see how it is received by the general public, because it doesn’t shy away at all from the religiousness of the novel, the debate between David Carver’s unflinching faith and Johnny Marinville’s lack thereof.
If there’s a star in the movie, it’s Tom Skerritt as Johnny. A terrific performance. The rest of the cast is decent: Charles Durning as the town drunk is another notable. Steven Weber is okay–he gets better as the movie progressess, Kelly Overton makes a good Cynthia Smith though she doesn’t match my visualization of the character, and Ron Perlman is a hoot as Collie Entragian, vacillating between lucidity and insanity. Matt Frewer is uncharacteristically restrained as David’s father. The actress who plays his mother is bitchy and strident and I wasn’t sorry when things didn’t work out so well for her.
The film doesn’t flinch from violence, either. There are shocking scenes and real gross out moments the likes of which I don’t think I’ve ever seen on broadcast TV. I’ll have more to say about Desperation in the near future, but let me close by saying it had me glued to the screen. Commercials will abound of course, which might dilute the impact (my screener DVD had brief blank gaps to show where they will come), but hold on for a heckuva ride.
